To piggyback on intern Grace Pierce’s wonderful blog post a few weeks ago, I’d like to highlight a little more about Paul Brown. 

In 1986, his widow, Harriet, donated several works of art to the National Sporting Library, the predecessor of the NSLM. Within this generous artistic donation were personal papers, including almost one hundred decorated envelopes.  Though we don’t have the actual letters, the envelopes represent the courtship between the artist and his sweetheart, his future wife.

Both natives of Minnesota, Harriet went to school at Smith College in Northampton, Massachusetts while Paul’s family had moved to Garden City, New York.  They met after the Brown family had moved, his father staying in touch with friends back home.

The envelopes are sometimes addressed to “Harriet” but more often informally to her by her nickname “Sally,” sometimes spelled “Sallie” – the long letters allowing Paul to have fun, like in the instance below:

Collection of envelopes from Paul Brown to Harriet Smith Brown, National Sporting Library & Museum, NA2019.29.61

Many envelopes were decorated with images of stick figures, possibly enacting what Harriet was doing at school, for instance moving into Tyler House at Smith College:

Collection of envelopes from Paul Brown to Harriet Smith Brown, National Sporting Library & Museum, NA2019.29.37ab
Collection of envelopes from Paul Brown to Harriet Smith Brown, National Sporting Library & Museum, NA2019.29.44

Or cheering on Harvard against Yale:

Collection of envelopes from Paul Brown to Harriet Smith Brown, National Sporting Library & Museum, NA2019.29.81

Shortly before her graduation, Harriet’s mother passed away, forcing the young woman to return home to St Paul. Her family lived for some time in the St Paul Hotel, a luxury hotel, then and now. The envelope shown below uses an elegant font that would not be out of place at a sophisticated establishment, her initials turning into its own brand. The motif on the left side mirrors that of the bellhop’s uniform, very much in the same manner that hotels tend to do – stamping their design throughout.

Collection of envelopes from Paul Brown to Harriet Smith Brown, National Sporting Library & Museum, NA2019.29.24

The artist often incorporated the postage stamp into the scene, like in the bellhop above, and in more abstract designs, like the one below:

Collection of envelopes from Paul Brown to Harriet Smith Brown, National Sporting Library & Museum, NA2019.29.13

His sense of humor came through, like the envelope below, poking fun at his golfing skills:

Collection of envelopes from Paul Brown to Harriet Smith Brown, National Sporting Library & Museum, NA2019.29.32

One last memento to share: an envelope postmarked on October 17 and decorated with a “just married” banner, perhaps the last letter before their nuptials on November 12, 1923. A fitting end to such a sweet collection.  

Collection of envelopes from Paul Brown to Harriet Smith Brown, National Sporting Library & Museum, NA2019.29.78

Lauren Kraut is the Collections Manager at the National Sporting Library & Museum. Her primary focus is to maintain and preserve the works of art in the collection and on loan. Email her at lkraut@NationalSporting.org

In 1933, a stunning new art exhibition opened at The Field Museum in Chicago. Brought together by none other than Marshall Field, the exhibition was an exclusive selection of 19 sculptures by Herbert Haseltine from his series British Champion Animals.

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“Portrait of Herbert Haseltine by Sir William Orpen, R. A.” frontispiece of Herbert Haseltine: An Exhibition of Sculpture of British Champion Animals, 1933. National Sporting Library & Museum.

Haseltine (1877-1962) was the son of a painter, and was born in Rome (then in the independent state of Lazio). He reputedly took an interest in horses at 12 years old when Buffalo Bill‘s “Wild West” show visited Italy to perform. Haseltine studied in various parts of Europe before settling in Paris (where he lived a great deal of his life).

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Herbert Haseltine (American, 1877 – 1962) Polo Pony: Perfection, 1930 bronze, 10 x 12 ½ x 4 inches, National Sporting Library & Museum, Gift of Jacqueline B. Mars. A selection of Haseltine’s series, British Champion Animals was exhibited at the Field Museum in 1933. Haseltine sent a copy of the exhibition catalog to artist Paul Brown.

The 1933 exhibition presented an opportunity for American artist Paul Brown to reach out to Haseltine. Because of careful retention of the paper record, a view of the relationship between both artists is in the NSLM collection.

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Brown forwarded Haseltine a book of his artwork, and Haseltine returned the favor. The exhibition catalog for British Champion Animals is inscribed “To Paul Brown from his admirer, Herbert Haseltine.” National Sporting Library & Museum.

Brown (1893-1958) was a hugely popular equestrian artist in his own right. He took advantage of Haseltine’s visit to the United States to forward a book featuring his artwork, and received back an exhibition catalog for British Champion Animals, and a letter. The letter shows that Haseltine was eager to “talk shop.”

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“I enjoyed looking at the horses. They are beautifully drawn and terribly alive.”

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“There is also a certain sameness about the mens [sic] faces.”

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“But you have a wonderful foundation for sculpture or painting. I saw your portrait of a horse of Scribners — a little too much detail — if you don’t mind my saying so. Also some of the horses’ ears a little rabbityfied at the points.”

Haseltine can’t keep himself from technical critique, but he tries to lighten the mood, too.

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“Please forgive all this HOT AIR.”

Below is a full transcription:

19th February, 1933

Dear Paul Brown,

Thank you a thousand times for the book – I enjoyed looking at the horses. They are beautifully drawn and terribly alive. Do you mind if I say something?

In the grouping – I would think of the composition in such a way that you couldn’t take anything out of it – without it’s being ruined. If it isn’t ruined, well it would be just as well without it. It all ought to hang together and make one. There is also a certain sameness about the mens faces.

But you have a wonderful foundation for sculpture or painting. I saw your portrait of a horse of Scribners — a little too much detail — if you don’t mind my saying so. Also some of the horses’ ears a little rabbityfied at the points. Look at a horse’s ears, especially a well bred one and you will see what I mean.

Please forgive all this HOT AIR. I hope we shall meet soon again.

Yours,

Herbert Haseltine

We don’t know what Brown thought about the letter, but he prized it enough to keep it, and the exhibition catalog. Both were donated to NSLM by Brown’s daughter, Nancy Brown Searles in 2011 and are now part of our manuscripts collection.

Long after the Field Museum exhibition, three smaller casts of Haseltine’s sculptures are in the permanent collection at NSLM. They’re often on view in the Permanent Collection exhibition, so plan your visit to see them in person soon!


Wedding Photography by Spiering Photography

John Connolly has served as the George L. Ohrstrom, Jr. Librarian at the National Sporting Library & Museum (NSLM) since early 2014. He is responsible for the care of the Library collections, including books, magazines, photographs, diaries, letters, and much more. The NSLM collections span over 350 years of the history of equestrian sport, as well as fly fishing, wing shooting, and other field sports. Have a question? Contact John by e-mail

Summer is fading, and that means two things. First, we’re trading summer sports (like polo) for our autumn sports (like foxhunting). Second, we’re set to launch our Annual Auction, which takes place in September and October of each year. The Auction is our main Library fundraiser each year, and we make available purchases of  duplicate sporting books to fund the maintenance of our collections.

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Hunting Pie, 1931. Available for purchase through the NSLM Annual Auction.

In the spirit of both these points, it seemed like a good time to highlight one of our 2016 Annual Auction offerings: Hunting Pie by Frederick Watson. The book is a humorous summary of “The Whole Art & Craft of Foxhunting,” and was illustrated by Paul Brown and published by the Derrydale Press in 1931.

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“Let us consider some of the highly technical and ingenious explanations of that vexed question ‘Why Foxhunting goes on.'”

Jonathan Swift once described satire as “a sort of glass wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind reception it meets with in the world, and that so very few are offended with it.” Watson instead draws on a self-deprecating tradition of hunting humor, choosing instead to leave no figure unscathed.

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“In the best conducted Kennels the hounds all recognise the huntsman almost instantly. They know him by his coat and the bits of biscuit he throws them in advance, and because he has learned some of their names from the whipper-in. But principally because hounds are the same to everyone. The best huntsmen are rather aloof.”

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“During a quick dart across country [the Hunt Secretary] must shout a cheery word to a farmer shaking — through sheer excitement — a gleaming pitchfork, collect a couple of guineas from a stranger who has turned up discreetly late, and yet arrive in time to register his official guffaw when the Master is reminded of a favourite anecdote at the kill.”

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“Every Hunt has a Field more or less. The press correspondents are fond of calling the m’followers’ but they don’t really or not very far or much. If you go to the Meet you will observe a concourse of cars blocking up the highway for about half a mile.”

It’s a delightful read, full of observational humor based on the timeless complaints of “modern foxhunting.” Paul Brown is in his element, as well. It’s a fun addition to a sporting book collection, if nothing else for the illustrations. You can read more about participation in the Annual Auction by viewing the catalog.


Wedding Photography by Spiering Photography

John Connolly has served as the George L. Ohrstrom, Jr. Librarian at the National Sporting Library & Museum (NSLM) since early 2014. He is responsible for the care of the Library collections, including books, magazines, photographs, diaries, letters, and much more. The NSLM collections span over 350 years of the history of equestrian sport, as well as fly fishing, wing shooting, and other field sports. Have a question? Contact John by e-mail