In June, NSLM won an award! We won the Business Equine-Related Custom Publication (Print) category of the Equine Media Awards for the exhibition catalog for The Horse in Ancient Greek Art. The catalog, which features scholarly essays and beautiful images from the exhibition, is available for purchase through NSLM’s online gift shop. The exhibition is still on view at the Virginia Museum of Fine Arts, but it closes July 8, so take advantage of this last chance to see it!
The Equine Media Awards are part of the annual conference for American Horse Publications, an organizations dedicated to excellence in equestrian publications. The conference, held each summer, is a great opportunity for networking and idea-sharing. NSLM has been a non-profit member of AHP for years. The Equine Media Awards are the highlight of each conference, with dozens of categories for competition. See the entire award winners list here.
On the Library side, we were thrilled to announce that we have received a grant to begin work on one of our long-range goals: digitizing rare books from the NSLM collection. Digitization is a huge avenue toward greater accessibility to the collection and it also reduces wear on titles in the Library.
Digitization work has already been done in small portions. Several years ago, the Library digitized its microfilm collection. The first book to be digitized was last week, as our neighbors at Paratext dropped by to take images of the Index to Engravings in the Sporting Magazine by Sir Walter Gilbey.
The grant will go toward a more comprehensive project that includes the purchase of rare book scanning equipment and the development of an online platform to allow researchers to read the digital books.
John Connolly has served as the George L. Ohrstrom, Jr. Head Librarian at the National Sporting Library & Museum (NSLM) since early 2014. He is responsible for the care of the Library collections, including books, magazines, photographs, diaries, letters, and much more. The NSLM collections span over 350 years of the history of equestrian sport, as well as fly fishing, wing shooting, and other field sports. Have a question? Contact John by e-mail
Today we will take a break from writing about the Annual Auction and featured Spring exhibition to cast a spotlight on a subject we haven’t discussed in awhile: The Horse in Ancient Greek Art. Yes, it may seem like ancient history by now, but even though the exhibition left Middleburg in January, it continues to engage and inspire viewers across the state and around the globe.
In fact, the exhibition was just named the 2017 New Tourism Event of the Year by Visit Loudoun. The award goes to organizations that demonstrate exceptional work in bringing cultural and economic value to the area. The Horse in Ancient Greek Art was Loudoun County’s first exhibition of ancient artwork. During its 16 week stay in Middleburg, the exhibition was seen by visitors from 211 different zip codes, including 30 states and 9 foreign countries.
The Horse in Ancient Greek Art installation at NSLM
Statuette of a Horse, ca. 750-600 BCE bronze 3 9/16 inches high, 7/8 inches wide, 3 1/4 inches long Sidney and Lois Eskenazi Museum of Art, Indiana University Photo: Kevin Montague
4th grade students visit the exhibition
For many visitors, this was their first introduction to NSLM, and their first introduction to sporting art. When planning the exhibition, the idea of interpreting ancient artwork in an organization whose oldest artifact dates to 1523 was daunting. However, the comparison between ancient and modern equestrian imagery connected visitors to the artwork in fascinating ways.
Attributed to the Malibu Painter or to the C Painter Greek (Attic) Black-Figure Siana Cup, ca. 570-565 BCE A: Jockeys racing; B: Hoplites crouching Terracotta, Private Collection
Detail of The Hunt at Belvoir Vale showing the Earl of Wilton, in the lead on the chestnut horse.
Though separated by tens of thousands of miles and thousands of years, the people, animals, and places shown on ancient Greek pottery are familiar to anyone visiting hunt country today.
Daphne vom Baur (American, b. 1945) The Start 2004, oil on linen, 48 x 60 in., Gift of Mrs. Peter Manigault, 2015
Attributed to the Orestes Painter, Greek (Attic), Red-figure Column Krater, ca. 440 BCE, Side A: Jockeys racing around column, terracotta,16 1/4 inches high, 14 3/8 inches wide, Private Collection. Ancient jockeys, who rode nude, raced their horses on long oval tracks with a sharp turn at each end.
The Horse in Ancient Greek Art is now on view at the Virginia Museum of Fine Arts in Richmond, Virginia. Between visitors at NSLM and VMFA, the show has been seen by nearly 75,000 individuals since September! In Richmond, the show is on view near the other ancient art galleries. Understanding Greek pottery within the context of other ancient Mediterranean cultures adds a new layer of interpretation to the exhibition. The Horse in Ancient Greek Art has been featured in The Wall Street Journal and has been called a “must-see” event.
Can’t wait to visit? Join NSLM on a special “Site-Seeing” trip to visit Agecroft Hall and The Horse in Ancient Greek Art at VMFA.
Anne Marie Paquette is the Clarice & Robert H. Smith Educator at the National Sporting Library & Museum (NSLM). Her passion for museum work began shortly after graduation with a Bachelor’s degree in History from James Madison University. Between her expeience working at the Fredericksburg Area Museum & Cultural Center and the Washington Heritage Museums, she has done everything from designing summer camps to formulating major fundraisers. Have a question? Contact Anne Marie by e-mail
Spring has come, along with steeplechasing and flat racing throughout the Virginia Piedmont. The same springtime spirit can be felt across the racing community, and across the world. Few towns are held in as high sporting regard as Newmarket in Suffolk, England. First settled as a market town after the Norman invasion, Newmarket became a hub of horse racing culture in the reign of Charles II (1630 – 1685). Though James I built the first royal residence at Newmarket c. 1610 to pursue sport, it is only with the restoration of the Crown after 1660 that the town grew to become the international center of horse racing, a reputation that it still holds today.
Among the earliest races established at Newmarket is the three-mile Newmarket Town Plate. Charles II founded the race in 1666 with the direction that it should be run in perpetuity. True to this charge, the race has been run for over 350 years. At first there were only two race meets, one in April, the other in October. By 1840 there were seven race meets: The Craven Meeting, the 1st and 2nd Spring Meetings, the July Meeting, the 1st and 2nd October Meetings, and finally the Houghton Meeting. Traditionally the first races of the year took place the week following Easter Sunday. Today the Rowley Mile and the July Course boast races and events every weekend from the Craven Meeting in mid-April to the final meet at the beginning of November.
The long history and distinctive style of Newmarket made it a popular subject for the burgeoning market of sporting artwork in the 18th and 19th centuries, and beyond. Many famous equine portraits are set at the stables in Newmarket, meant to commemorate distinguished careers at the capitol of English racing. This subject allowed artists like George Stubbs (1724-1806) and Benjamin Marshall (1768-1835) to demonstrate their skillful mastery of equine anatomy. Other images of Newmarket show frenetic energy and passion before race meets. This time of year it is easy to imagine oneself pressed in a crowd of spectators as jockeys in brightly colored silks line up for the race.
Springtime races, whether at Newmarket or in the foothills of Loudoun County, marry the traditions of country life with the perennial newness and passion of changing seasons. The brisk air and thundering hooves can be felt across times as old and new are blended together in our cultural landscapes and in the paintings of sporting artists throughout time.
If you are at all familiar with the village of Middleburg, you have likely seen iconic images of the Middleburg Hunt and hound parade in the snow. It just doesn’t feel like the holiday season has begun in this region until Christmas in Middleburg takes place on the first Saturday every December. The celebration brings people from far and wide to enjoy this spectacle as well as the traditional afternoon Christmas parade with brightly-colored floats, a variety of horse-drawn vehicles, and other animals. Even Santa Claus arrives on a four-in-hand.
Although we did not experience a magical snow this past Saturday, there was no shortage of holiday cheer for the festivities. Partnering with the National Sporting Library & Museum, Colonial Williamsburg’s Director of Coach and Livestock Paul Bennett brought and drove the historic city’s Wythe Chariot, a highlight of the parade.
The royal blue livery brought to mind a wintry, 19th-century French print in the NSLM’s collection…
Subtitled Hiver (Winter), the hand-colored aquatint is one of a set of four in the series, La vie d’un Gentilhomme en toutes Saisons (The Life of a Gentleman in All Seasons). First published in 1846, each print depicts a different season of carriage driving in France. The original paintings from which the engravings were made were by Henri Auguste d’ Ainecy, Comte de Montpezat, a French sporting and animal artist.
The snowy scene shows two postilions, each riding the near post-horse of a double team at a fast pace. (It is typical to ride the left horse of a pair since horses are trained to be mounted from the near side.) The riders are wearing the unmistakable rigid boots of their profession to protect their legs from being injured. Posting was a common mode of transit in England and on the Continent before trains. Postilions were hired through postmasters and traveled from post house to post house, on successive legs of a journey. Tired riders and horses were replaced as needed along the way.
The carriage depicted is a shooting phaeton, a four-wheel open carriage with room for four passengers, game, and a compartment with ventilation under the seat to transport gun dogs. Snow flies up from the wheels as the sportsmen return from a successful day afield. The gamekeeper, bundled up in a fur coat with a powder flask at his side, points to a village in the distance. A huntsman and the gentleman holding a shotgun enjoy a cigar while the fourth companion wearing a buttoned-up frock coat and a brimmed cap, crosses his arms, bracing himself against the cold. A gun dog peeks out from the gentleman’s lap blanket while another alert dog is at the front of the carriage. The vehicle is filled with a mixed bag – a plentiful variety of hare, pheasant, duck, partridge, snipe, and stag – and game bags hang from the back.
Although it’s not a one-horse open sleigh, the scene conjures a line from the classic American melody, Jingle Bells. “Dashing through the snow…” Carriages, wheeled and sleighs alike, are icons of a long-gone era, but still strongly resonate with the sentiment of the season. Thank you to our friends at Colonial Williamsburg for journeying to Middleburg and “making spirits bright.”
Wishing you all a Merry Christmas and Happy Holidays!
Claudia Pfeiffer has been the George L. Ohrstrom, Jr. Curator of Art at the National Sporting Library & Museum since the position was underwritten by the George L. Ohrstrom, Jr. Foundation in 2012. Her primary focus is the research, design, interpretation, writing, and installation of exhibitions. E-mail Claudia at email@example.com
As the days shorten and holiday lights start glinting in window panes, it is easy to reflect on the events of the past year. Thanksgiving Day urges each of us to consider what we are thankful for; to celebrate our achievements and to show gratitude to those who help us accomplish them. As a nonprofit, NSLM has a great deal to be proud of, and even more to be thankful for.
To our Members
Thank you to our 600+ members. Members give each year to support our mission to preserve, promote, and share the literature, art, and culture of equestrian, angling, and field sports. Every now and then a new member will say, “I’m only a $50 member, I don’t help very much”, but the opposite is true. Our Individual and Household members make up the foundation of our membership base, and each membership counts! Our concerts, programs, and events depend on all of our members- Thank You.
To our Ambassadors and Volunteers
Though the Ambassador program only began about a year ago, it has grown to include nearly 30 individuals. Our Ambassadors are members who actively recruit in the community. Some pour wine at events, others volunteer in the Library, and still more bring new friends and members to the NSLM every chance they get. Thank you to all of our Ambassadors for your special interest and the passion you spread!
To our Partners and Sponsors
It may take a village to raise a child, but it can take a whole town to raise a Museum and Library. Our partners and sponsors – both in and outside of Middleburg- support some of our most successful programs year-round. Sponsors like Middleburg Common Grounds and the Sidesaddle Cafe support educational programs through in-kind donations, while fellow nonprofits like the Colonial Williamsburg Foundation and the Artists in Middleburg collaborate with us for dynamic events. We belong to a tremendous network of supportive and active organizations- Thank you all!
To Viewers like You
Have you visited the Library or Museum this year? Have you browsed our website or library catalog? Are you reading this blog post? Thank you! Every opportunity to interact with you, the viewer, is an opportunity for us to spread our mission and to tell you more about us. Every Facebook ‘like’, every Yelp review, and every email is appreciated. Keep them coming!
Anne Marie Barnes is the Clarice & Robert H. Smith Educator at the National Sporting Library & Museum (NSLM). Her passion for museum work began shortly after graduation with a Bachelor’s degree in History from James Madison University. Between her expeience working at the Fredericksburg Area Museum & Cultural Center and the Washington Heritage Museums, she has done everything from designing summer camps to formulating major fundraisers. Have a question? Contact Anne Marie by e-mail
Most Americans are now familiar with the concept of STEM learning, curriculum that carefully focuses on Science, Technology, Engineering, and Math. The goal is to inspire the next generation to work in STEM-related fields and become the vanguard of science and mathematics. The arts community quickly got involved in this goal by adding an A (for Arts) to the equation. Thus, STEAM was born.
STEAM brings a multitude of opportunities to classrooms across the country. Working together, science and art instructors might have their students build a bridge or design a diorama. Theater instructors might team up with math instructors to teach lessons about building sets for a play. Many schools and teachers find they were doing STEAM lessons without realizing it!
Beyond the classroom, museums have also stepped up to provide students with cross-disciplinary activities they wouldn’t otherwise have access to. NSLM is proud to join this educational revolution and show how sporting art is teeming with hands-on learning opportunities.
For example, did you know that there are math lessons hidden inside the artwork in NSLM’s collections?
Drawing with ratios- just like Da Vinci!
Not just math, either. It turns out that NSLM’s art collections are also chock-full of science!
Visiting students use pieces from the permanent collection to learn about ecosystems, biomes, geographic zones, food chains, and even the water cycle!
How many herbivores, carnivores, and omnivores can you find in the paintings below? How many coniferous and deciduous trees? How many different kinds of waterways?
It’s not just sporting art, it’s natural science!
Architects and engineers depend on art and design to create cities, roadways, and space shuttles. Artists, musicians, and designers use geometry, physics, mathematics, and technology to create culture as we know it. These topics are all tied very closely together, so it only makes sense that they appear in NSLM’s collections. But don’t take my word for it, come see for yourself!
Do you know an educator, parent, or PTO member who would like to book one of our STEAM-related tours? Contact Anne Marie Barnes, Clarice & Robert H. Smith Educator, at ABarnes@NationalSporting.org (540) 687-6542 x25.
Anne Marie Barnes is the Educational Programs Manager and Fellowship Advisor at the National Sporting Library & Museum (NSLM). Her passion for museum work began shortly after graduation with a Bachelor’s degree in History from James Madison University. Between her expeience working at the Fredericksburg Area Museum & Cultural Center and the Washington Heritage Museums, she has done everything from designing summer camps to formulating major fundraisers. Have a question? Contact Anne Marie by e-mail
An enduring cultural myth about librarians is that they spend a lot of time reading. While we pretty much all love reading, and books, and research both wide-ranging and obscure, there’s a major reason many of us don’t read as much as we would like: no time. This blog is a blessing because it provides an opportunity to really interact with the collections at NSLM, and we get a chance to read a bit before diving back into our many projects.
What keeps us so busy in the Library? I’m glad you asked! I like to tell people that life in the Library is a lot like a duck: above the water, everything looks placid but under the surface, the feet are kicking fuiously.
As we head into the holidays, I figured it would be a great time to explain what has filled up our daily work in the Library in 2016.
In 2016, we welcomed Erica Libhart, the Mars Librarian. Erica is a skilled technical services librarian and has used her background in cataloging and classification to push forward our Main Reading Room reprocessing project.
Under Erica’s energetic care, the Main Reading Room is more than 75% reprocessed. This means that all materials are being cataloged, labeled, and made findable on the NSLM online catalog. Findability is a huge deal for us, because if a book doesn’t show up correctly in the catalog, a researcher might miss out on a valuable resource.
Also during this year, we have focused on our Archive Collections. As part of a larger shift to expand shelving and alleviate our shortage of space, we re-structured our archives and moved them to another part of the Library.
We’re indebted to part-time staff members Emily Perdue, Laura Shearer, and Jessica Festa and to NSLM’s archival interns for their help on the Archives in 2016. All of the new finding aids can be found on the NSLM archives website.
It’s no mean feat to swap out a Library’s roof! As of this writing, our Library is closed for construction.
People are usually surprised how much our collections are used by researchers. Here are a few of our vital stats from 2016 (as of this writing).
Although NSLM does not lend materials to take home, we do lend through the interlibrary loan system. We’ve lent 107 times through this system in 2016, which is more impressive when laid out on the map:
We also help with research requests every day. Requests come from e-mail, telephone, and in person.Over 430 research requests have been handled by two librarians this year, in addition to other projects.
Building for the Future
We’re running out of space in the Library. Our rate of donation has increased rapidly in the past few years. This winter we plan to install additional shelving to increase storage capacity by about 12,000 volumes. It’s a temporary measure, but coupled with a new Collection Management Policy, we hope these efforts will keep the collection safely housed for at least another five years before further expansion is required.
Our Book Adoption Program has been a tremendous success, and only two books remain to be adopted. We’re also trying to build a prototype repository for our digital collections, and at the same time we’re upgrading our online catalog software.
Most importantly, much of what we do is focused on expanding access to our collections beyond the walls of the Library building. This blog is a large part of that, and it also affords us a rare chance to open the books and explore the collection. Now that winter is upon us, we’ll definitely be spending more time with some great books, magazines, and archival materials to share with you.
John Connolly has served as the George L. Ohrstrom, Jr. Librarian at the National Sporting Library & Museum (NSLM) since early 2014. He is responsible for the care of the Library collections, including books, magazines, photographs, diaries, letters, and much more. The NSLM collections span over 350 years of the history of equestrian sport, as well as fly fishing, wing shooting, and other field sports. Have a question? Contact John by e-mail
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“Drawing Covert,” refers to the practice in foxhunting of putting hounds in a covert (pronounced like “cover”), a thicket or wooded brush area, to find the fox.
This blog is about the exhibitions, tours, research, programs, and events, at NSLM on its unique collection of books, archives, paintings, sculpture and much more.