There are five striking oils depicting foxhunting painted entirely in black and white in the National Sporting Library & Museum’s permanent collection. The technique is called en grisaille (pronounced “ohnˈ griˈzɑ yə”), a French term meaning in gray tones. Created with mixtures of black and white pigments, these types of paintings date back to the Middle Ages.

George Wright (English, 1860-1942), A Treed Fox, oil on canvas, en grisaille, 17 x 25 inches, Gift of Mrs. Felicia Warburg Rogan, 2008

Created by George Wright (1860-1942), the paintings were among fifteen important British sporting artworks donated to the NSLM by Felicia Warburg Rogan in 2008. Surprisingly little is known about Wright’s life and teaching. The artist, however, left behind a considerable body of work and was acknowledged as one of the top sporting artists of his day by circa 1900.

Many of Wright’s en grisaille subjects are believed to have been produced early in his career for reproduction as illustrations. Working in gray tones was a practical choice for these types of works. There was no need to use expensive color pigments if they were not intended to be seen. Painting in grayscale also allowed for better control of contrasts, shades, and tones. As an example, NSLM has a sixth painting by George Wright done in color that is an almost identical scene to the monochromatic A Treed Fox. This allows the opportunity to make a direct comparison of Wright’s color and black and white techniques.

George Wright (English, 1860-1942), A Treed Fox, oil on canvas, 13 1/2 x 20 inches, Gift of Mrs. Felicia Warburg Rogan, 2008
Left: Detail of Treed Fox, color version; Center: Detail of Treed Fox, color version converted to grayscale; Right: Detail of Treed Fox, en grisaille painting

On the left is a detail of the color painting; in the center is the color version converted to grayscale; and on the right is the actual black and white work. The composition in color is more painterly with a nuanced palette and brushstrokes. Reproduced in black and white though, it becomes muddy, and the details are difficult to see. Where the reproduction fails, the painting on the right succeeds; it has a refined illustrative quality with crisper lines and higher contrasts.

The obvious and purposeful difference between the way Wright painted the two versions reinforces the idea that the en grisaille works were intended for reproduction. To-date NSLM’s compositions have not been found reproduced, but they tell stories in their own right. Two are the same size and bear inscriptions on the bottom left corner, “In at the Death” and “The Kennels.”

George Wright (English, 1860-1942), In at the Death, oil on canvas, en grisaille, 18 x 27 inches, Gift of Mrs. Felicia Warburg Rogan, 2008

In the first, the huntsman presents the brush (fox’s tail) to the lady wearing a bowler hat and riding aside. The recipient of the trophy was chosen by the Master of Foxhounds to reward participants who were skilled riders and kept at the head of the hunt field. The tradition of presenting the fox mask and brush has today become censured, but it is worthy to note that it was done with a sense of deference to the fox.

“Poor Reynard [“reynard” is French for “fox”], his day is done! No more wild raids on the sleeping countryside; no more slaughter in hen house or rabbit warren…Off from your horse, Mr. Huntsman, for the trophies of so gallant a beast are worth the saving,” wrote B. Fletcher Robinson in Sporting Pictures to describe a painting titled Killed in the Quarry by George Wright. (This 1902 folio sized art book held in the NSLM’s F. Ambrose Clark Rare Book Room was published in celebration of English country sports with works “reproduced in colour by the newest and most perfect process of chromo-lithography.”)

George Wright (English, 1860-1942), At the Kennels, oil on canvas, en grisaille, 18 x 27 inches, Gift of Mrs. Felicia Warburg Rogan, 2008

The second en grisaille painting in the NSLM’s pair, “At The Kennels,shows the hounds obediently following the huntsman to the kennel gate, as the Master looks on and a groom has charge of the horses. The likeness of the huntsman is similar to the one depicted in The Treed Fox discussed earlier and two other en grisaille works in NSLM’s holdings. These all show instances in which the fox is just out of reach of the hound pack.

George Wright (English, 1860-1942), Out of Reach, A Fox at Bay on a High Wall, c. 1884, oil on canvas, en grisaille, 16 x 24 inches, Gift of Mrs. Felicia Warburg Rogan, 2008
George Wright (English, 1860-1942), Closing In, c. 1884, oil on canvas, en grisaille, 16 x 24 inches, Gift of Mrs. Felicia Warburg Rogan, 2008

Wright is believed to have hunted with the Surrey and Old Burstow, and it is quite evident from his works that he had an intimate understanding of foxhunting and its human, equine, and canine participants. Whether or not he intended for the figures to be likenesses of recognizable individuals is unknown. He included them in other hunt scenes over time. The allure of George Wright’s en grisaille compositions evoke nostalgia for a bygone era and a sport that at the same time remains universal and timeless for those who still participate in it today.


pfeifferClaudia Pfeiffer has been the George L. Ohrstrom, Jr. Curator of Art at the National Sporting Library & Museum since the position was underwritten by the George L. Ohrstrom, Jr. Foundation in 2012. Her primary focus is the research, design, interpretation, writing, and installation of exhibitions. E-mail Claudia at cpfeiffer@nationalsporting.org

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In 1830, a gangling, tall man named William T. Porter came to New York City from the peaceful countryside of rural Vermont. His towering height (six feet, four inches) gave him the nickname “Tall Son of York,” and Porter (1809-1858) was a man with a dream. He had a vision of launching his own newspaper dedicated to sports of all kinds, modeled after the fashionable London newspapers that chronicled the day-by-day activities of popular horse races, prominent fox hunts, and gave advice on raising dogs, fly fishing, shotgunning trips, and even billiards matches.

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Wm. T. Porter, editor of the Spirit of the Times / Pierce. From the collection of Thomas Addis Emmet, 1828–1919, NYPL Digital Gallery. Accessed via Wikimedia Commons.

By 1831, Porter made his dream a reality with the launch of Spirit of the Times. Porter was the owner and editor, and his four brothers were his business partners in the venture. Spirit of the Times grew a large audience in the American southwest, focusing on the active racing scene in the antebellum South. Porter encouraged humorous and satirical entries, and the Spirit played a significant role in popularizing the American tall tale and by 1839, Spirit of the Times was the most popular sporting periodical in the United States. Porter longed to establish a formal stud book for the United States, in similar vein to the General Stud Book in Britain. The goal would not be achieved in his lifetime.

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George Wilkes, Esq., Editor of Wilke’s New York Spirit of the Times. — Photographed by Brady. From Frank Leslie’s Illustrated Newspaper, April 7, 1860. Accessed via Wikimedia Commons.

The history of Spirit of the Times is fractured and difficult to trace in its earliest roots, but things became complicated in the 1850s. In 1856, Porter sold his ownership of Spirit of the Times to George Wilkes (1817-1885), staying on as editor until his death in 1858. Abraham Dayton, a former employee at Spirit, launched his own rival publication in 1859, called Porter’s Spirit of the Times, creating a confusing rivalry of weekly sporting newspapers with very similar names. After a court case regarding the use of Porter’s name, the original Spirit was re-christened Wilkes’ Spirit of the Times.

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Masthead of Wilkes’ Spirit of the Times, January 9, 1864. National Sporting Library & Museum.

The Civil War tore apart American society, including the sporting and publishing world. Porter’s Spirit of the Times struggled through the war, andwas eventually reunified as Spirit of the Times under Wilkes, who served as editor and publisher until his death in 1885. However, as the war raged, another luminary of sporting newspaper history was rising to military prominence.

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Masthead of Turf, Field and Farm, February 18, 1876. National Sporting Library & Museum.

Sanders D. Bruce (1825-1902), originally from Lexington, Kentucky, had joined his state’s militia as a captain in 1859, following John Brown’s raid on Harper’s Ferry. When the Civil War began, Bruce chose to fight for the Union, taking a promotion to Colonel in the 4th Division of the Army of the Ohio. The highlight of Col. Sanders Bruce’s military career was leading his brigade in the Battle of Shiloh, but he was obliged to resign his commission in 1864 due to heart trouble.

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The Battle of Shiloh, Thure de Thulstrup, 1888. Restoration by Adam Cuerden. Accessed via Wikimedia Commons. The Battle of Shiloh was the highlight of Col. Sanders Bruce’s military career.

Following the war, Bruce relocated to New York and launched his own sporting newspaper called Turf, Field and Farm. The new paper received an instant boost by purchasing much of its infrastructure and equipment from Spirit of the Times, which was struggling through reduced wartime readership. The two papers vied with each other for decades, and within a few years of the war, Turf, Field and Farm and Spirit of the Times made up two of New York’s three most popular newspapers.

Bruce would go on to write extensively on horse breeding, finally fulfilling William Porter’s dream with his production of the American Stud Book in 1873.


Wedding Photography by Spiering Photography

John Connolly has served as the George L. Ohrstrom, Jr. Head Librarian at the National Sporting Library & Museum (NSLM) since early 2014. He is responsible for the care of the Library collections, including books, magazines, photographs, diaries, letters, and much more. The NSLM collections span over 350 years of the history of equestrian sport, as well as fly fishing, wing shooting, and other field sports. Have a question? Contact John by e-mail

Earlier this year I wrote about a few of our many Presidential horsemen.  As a group, the Presidents have nearly all been involved in some sort of sporting activity.  Holders of our highest office have been swimmers, golfers, runners, bicyclists, hunters, card players, sailors, and basketball players.  As young men, quite a few played football or baseball; and along with tens of millions of their fellow Americans, many Presidents have enjoyed angling.

George Washington’s diaries have numerous entries describing days spent fishing.  During the Constitutional Convention in 1787 he went fishing between sessions no less than three times.

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George Washington.  From Wikimeida Commons.

Before becoming President, Chester A. Arthur once held the record for an Atlantic Salmon of fifty-one pounds on the Cascapedia River in Quebec.

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Chester A. Arthur (1830-1886) Twenty-first President (1881-1885), in his late twenties.  By Rufus Anson (Smithsonian Institution National Portrait Gallery) via Wikimedia Commons.

President Carter and his wife frequently fished together.

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President and Mrs. Carter.  Fishing with the Presidents: an Anecdotal History by Bill Mares (1999). The Gift of George Chapman.

Grover Cleveland was an avid fisherman and spent so much time on the water that the press complained about it.  He even wrote a book about fishing,  Fishing and Shooting Sketches, which is available in the Library’s Main Reading Room.

While there are numerous Presidential fisherman, the Library holds interesting objects in the F. Ambrose Clark Rare Book Room specific to two of them, Presidents Hoover and Eisenhower.

Hoover was a life long angler and continued fishing into his late eighties.  Prior to becoming President of the United States he had been president of the Izaak Walton League.  While in that post he supported legislation and agreements to regulate fishing and control pollution of the nation’s waterways.

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President Hoover fishing.  White House Sportsmen by Edmund Lindop and Joseph Jares (1964)

He enjoyed the solitude of fishing, and used it  as a way to relieve the stress of the Presidency.  He’s quoted as saying fishing gave him, “the chance to wash one’s soul with pure air, with the rush of the brook, or with the shimmer of the sun on the blue water.  It brings meekness and inspiration from the decency of nature, charity toward tackle-makers, patience toward fish, a mockery of profits and egos, a quieting of hate, a  rejoicing that you do not have to decide a darned thing until next week.  And it is discipline in the equality of men — for all men are equal before fish” (White House Sportsmen, p. 70-71).

To facilitate this need to get away, the President had a fishing camp built in the Blue Ridge Mountains of Virginia.  The site he eventually selected was on the Rapidan River in what is now the Shenandoah National Park.  The book, The President’s Camp on the Rapidan by Thomas Lomax Hunter, housed in the Rare Book Room, describes the camp and the surrounding area.  It features drawings of scenes from the camp and a wonderful map.

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Map of the camp.  The President’s Camp on the Rapidan, the gift of John H. Daniels.

Hoover bought the 164 acre site and leased surrounding land with his own money.  His wife took charge of construction and transformed the camp from a group of tents to a collection of rustic cabins and community buildings.  Visitors to the camp found it remarkable that such an extreme wilderness existed so close to Washington.  The difficulty of getting to the site guaranteed the President the tranquility he was seeking.  Writing in his book Fishing for Fun, Hoover said, “Presidents have only two moments of personal seclusion.  One is prayer; the other is fishing — and they cannot pray all the time.”  The camp on the Rapidan gave him just the secluded venue he desired.

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President and Mrs. Hoover at the Rapidan Camp.  Fishing with the Presidents: an Anecdotal History by Bill Mares (1999)  Gift of George Chapman.

Unlike Hoover, Eisenhower enjoyed the fellowship of fishing with companions.  His vacations tended to be trips with friends and family, focused on golfing, fishing, hunting, and cards.  Although he differed from Hoover in this, he had similar reasons for enjoying fishing…

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Eisenhower fishing with friends.  From http://www.myusualgame.com/tag/dwight-eisenhower/

“There are three [sports] that I like all for the same reason — golf, fishing, and shooting– because they take you into the fields… They induce you to take at any one time two or three hours, when you are thinking of the bird or the ball or the wily trout.  Now, to my mind, it is a very healthful, beneficial kind of thing, and I do it whenever I get a chance. (Fishing with the Presidents, p. 82)

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Eisenhower casting.  The Sports of Our Presidents by John Durant (1964)

In June, 1955, President Eisenhower visited The Parmachenee Club at Parmachenee Lake in Maine.  The Library holds a commemorative scrap book of the fishing trip which features a history of the Club and includes 17 photographs of the President relaxing with friends and fishing in the stream.

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The President relaxing on the porch.  President Eisenhower at the Parmachenee Club 1955

In addition to preferring to fish with friends, rather than alone, Eisenhower also differed from Hoover in his choice of attire.  He had a much more relaxed fishing costume than Hoover, who always fished in a coat and tie.  Regardless of their different approaches to the sport, angling clearly helped both men deal with the stress of the Presidency, and they both enjoyed its challenges and rewards.

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Eisenhower and a fishing guide.  President Eisenhower at the Parmachenee Club 1955

The Library holds several titles describing the sporting activities, fishing and otherwise, of the Presidents.  Most of them are available anytime in the Main Reading Room.  For starters I suggest, The Sports of our Presidents by John Durant, White House Sportsmen by Edmund Lindop and Joseph Jares, The Games Presidents Play by John Sayle Watterson, and Fishing with the Presidents by Bill Mares.  The book about Hoover’s camp on the Rapidan, and Eisenhower’s fishing trip scrap book are both housed in the Rare Book Room so you’ll need to make an appointment to see them, but I’d be happy to get them out for you to take a look at.


SONY DSCErica Libhart has served as the Mars Technical Services Librarian at the National Sporting Library & Museum (NSLM) since early 2016. The focus of her position is collection services, working to increase accessibility to NSLM’s collection of books, periodicals, and archival materials. The NSLM collections span over 350 years of the history of equestrian sport, as well as fly fishing, wing shooting, and other field sports. Have a question? Contact Erica by e-mail

“This beautiful animal, which, so far as I can ascertain, has now entirely ceased to exist, and concerning which the strangest legends and traditions are afloat, was, I think it may be positively asserted, of Andalusian blood.”

Henry William Herbert (1807-1858) chronicled the state of all American things equine in his massive two-volume work, Frank Forester’s Horse and Horsemanship of the United States and British provinces of North America (1857). The subject in this chapter was the mysterious Narragansett Pacer, the first truly American breed of horse. Like many inventions in the colonial world, the breed was devised through necessity in environmental conditions that were unknown in Europe.

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Saddlebred Yearlings At Willowbank Farm In Simpsonville, KY by Heather Moreton from Louisville, KY, USA. Licensed under Creative Commons Attribution 2.0 Generic License, accessed via Wikimedia Commons.

Without a system of refined, easy roadways in America, colonial settlers were obliged to ride on horseback instead of using carriages. Riding horseback long distances could be brutally jarring, and it wasn’t long before colonists began looking for a horse with a smoother, more comfortable gait. The result was the Narragansett Pacer, named for the Narragansett Bay in Rhode Island. The breed emerged in mystery, including several wild legends detailed by Herbert:

“The legends, to which I allude, tell in two wise; or rather, I should say, there are only two versions of the same legend. One saying that the original stallion, whence came the breed, was picked up at sea, swimming for his life, no one knew whence or whither; and was so carried in by his salvors to the Providence Plantations; the other, evidently another form of the same story, stating that the same original progenitor was discovered running wild in the woods of Rhode Island.” Frank Forester’s Horse and Horsemanship of the United States and British provinces of North America (1857), volume II, page 67.

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Illustration from Frank Forester’s Horse and Horsemanship of the United States and British Provinces of North America (1857). National Sporting Library & Museum, acquired 1981, the gift of Mrs. William Pyemont.

Fanciful legends aside, it’s most likely that the Pacer was the product of import of Spanish, Irish, and British stock throughout the 17th Century and into the early 18th Century. Like several older European and Asian breeds, the Pacer’s feet of one side moved one after the other. This proved to be far more comfortable than a pounding four-time walk for riders spending hours in the saddle.

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American Saddlebred Bathing (2008). Licensed under Creative Commons Attribution 2.0 Generic License, accessed via Wikimedia Commons.

In the 1700s, the Pacer became the most popular breed in the American colonies and the fledgling United States. Good Pacers were sought for riding and racing alike, and George Washington owned several. According to legend, when Paul Revere embarked on his famous midnight ride, it was aboard a Narragansett Pacer.

Unfortunately, by the 1880s (and likely long before then) the Narragansett Pacer had gone extinct as a breed. In many ways, the breed was a victim of its own success. Pacers were heavily exported to the Caribbean in the 19th Century. The Pacer was also aggressively cross-bred with other breeds, leading to the demise of the original breed, but also making Pacers a major contributor to a new breed, the American Saddlebred. Although the Narragansett Pacer has been gone for over 140 years, its influence lives on in the many American breeds derived from it.


Wedding Photography by Spiering Photography

John Connolly has served as the George L. Ohrstrom, Jr. Head Librarian at the National Sporting Library & Museum (NSLM) since early 2014. He is responsible for the care of the Library collections, including books, magazines, photographs, diaries, letters, and much more. The NSLM collections span over 350 years of the history of equestrian sport, as well as fly fishing, wing shooting, and other field sports. Have a question? Contact John by e-mail

A Brief Context

Mounted warfare played a critical role in European affairs of state from the 16th through the 19th centuries. Essentially all English works on horsemanship in that period applied directly or indirectly to the military, particularly the many works focused on the British light cavalry, or “light horse,” prominent in the 17th and 18th centuries.

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Henry Herbert, Earl of Pembroke, by Joshua Reynolds. Accessed via Wikimedia Commons.

These works included broad treatises on the discipline, such as Robert Hinde’s The Discipline of the Light-Horse (1778) and Captain L. Neville’s A Treatise on the Discipline of Light Cavalry (1796), as well as narrower works on equitation, such as the Earl of Pembroke’s A Method of Breaking Horses, and Teaching Soldiers to Ride (1761, with subsequent editions) and William Tyndale’s A Treatise on Military Equitation (1797).

Pembroke’s Military Equitation

Henry Herbert, 10th Earl of Pembroke (1734-94), entered cavalry service in 1752, rose to the rank of general in 1782, and saw his influential treatise through four editions: A Method of Breaking Horses, and Teaching Soldiers to Ride (1761 and 1762), revised and retitled, Military Equitation; or, A Method of Breaking Horses, and Teaching Soldiers to Ride (1778 and 1793). It addressed “the wretched system of Horsemanship, that at present prevails in the ARMY,” a system that leaves men and horses unprepared “for want of proper instructions and intelligence in this Art.”

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The full-leather cover of Military Equitation by the Earl of Pembroke, 1778. National Sporting Library & Museum, Ludwig von Hunersdorf collection.

Military Equitation outlines a program, including lessons, for training the military horse and rider, emphasizing both theory and practice. Unsparing in his criticism of current military horsemanship—after Xenophon, “horsemanship was buried for ages, or rather brutalised, which is still too much the case”—and of inept riding-masters, farriers, and grooms, he spares soldiers and remounts (military equines): their ignorance results from poor training and is therefore correctable. Reason and moderation, patience and gentleness, and simplicity of means are the proper tools for educating horses and soldiers alike.

In The Development of Modern Riding (1962), Vladimir Littauer noted that “Pembroke’s is a very small and unimportant book,” particularly when compared to the 18th century masterworks of dressage. Rather than dismissing Pembroke, however, Littauer was praising him as “a follower of the French school [of dressage who] was practical enough to suggest its considerable simplification for the army,” who successfully repurposed dressage for the military work at hand. What Pembroke did for the French school, William Tyndale did for Pembroke: he further simplified the simplifier.

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Plate from Military Equitation, Third Edition, by the Earl of Pembroke, 1778. National Sporting Library & Museum, the gift of John H. and Martha Daniels, 1999.

Tyndale’s Treatise on Military Equitation

William Tyndale (17??-1830) was a landowner who performed regimental service in the late 18th century, notably as major and lieutenant-colonel in the 1st Life Guards. Tyndale’s first tract, Instructions for Young Dragoon Officers (second edition, 1796), was followed by A Treatise on Military Equitation (1797), published in one edition only. The latter was intended for “regimental riding masters” who may know horsemanship through experience but who cannot teach it effectively because they lack knowledge of its underlying principles.

Tyndale invokes Pembroke’s Military Equitation as “the best work of the kind in our language.” Like Pembroke, he believes that “the present system, which is much the same throughout the cavalry, is contrary to every principle of true horsemanship,” and that successful instruction of young men and horses demands reason, patience, and simplicity of means. Regarding Pembroke’s work, however, as “beyond the comprehension of those whom it is my wish to teach and reform,” Tyndale focuses on the practical application of principles of “true” horsemanship.

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A fold-out plate from A Treatise on Military Equitation, by William Tyndale, 1797, illustrating Tyndale’s plan for a military saddle of his “own invention.” National Sporting Library & Museum.

Tyndale also argues that the British predilection for hunting had caused the military to neglect formal dressageInstructors failed to retrain young recruits in “the method of riding which is necessarily adopted in regiments of cavalry, and which must be adopted by every individual” to prevent confusion—even chaos—in tight formation. Whether Tyndale was right or not, British writers in the next century would press the contrary case for hunting as ideal preparation for cavalry.

National Sporting Library & Museum Holdings

What will 21st century equestrian readers gain from these two treatises on military equitation? They will gain historical knowledge of an important moment in the evolution of horsemanship, and they will find principles and lessons applicable to their own riding. All readers, equestrian or not, will gain the opportunity to converse with two quick and practical 18th century minds and to school with two seasoned trainers of horses and men.

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Title page of the Earl of Pembroke’s book, 1752 edition, with a pasted plate on the facing page depicting the horse Sportsman.

NSLM holds eight copies of Pembroke’s treatise: two copies of the 1st edition, three of the 2nd edition, two of the 3rd edition, and one of the 4th edition. The 3rd and 4th editions call for seventeen plates, and NSLM’s copy of the 4th edition and one of its copies of the 3rd edition each contain the complete set. NSLM also holds a copy of the single edition of the rare Tyndale treatise, complete with its five called-for plates. The copies are clean and clear, and solidly and impressively bound.

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The 1752 edition of the Earl of Pembroke’s book, with the bookplate of the Earl of Lonsdale on the facing page.

A reader with access to NSLM holdings, in short, can experience these two works in their original forms—an experience providing not only textual authority and aesthetic pleasure, but also historical immediacy. Each copy carries its provenance in previous owner bookplates and signatures, auction and donor entries, and marginal notations. Travelers through time, these books carry the physical traces of their histories with them.


caramelloCharles Caramello is John H. Daniels Fellow at the National Sporting Library & Museum and Professor of English at University of Maryland. He is working on a book called Horsemen, Horse Soldiers, and Grand Illusions. This blog is adapted from the Introduction to a dual edition of Pembroke’s Military Equitation and Tyndale’s Treatise on Military Equitation, completed at NSLM and forthcoming from Xenophon Press.

 

The auction had gotten a little out of hand, and most of the blame could be laid at the feet of George Lambton. Lambton (1860-1945) was a former officer in the British infantry, and a former amateur steeplechase jockey (a role in which he won the prestigious Grand Steeple-Chase de Paris in 1888). After a serious fall, he had turned to training racehorses, and was generally considered one of the finest trainers of his day. Today, however, Lambton was waging a bidding war on William Tatem, Baron Glanely. Lord Glanely was a hugely successful racehorse breeder between the World Wars. By the time the Yearling Sales were held at Doncaster in September of 1921, Lord Glanely had already won the Epsom Derby and was eager for new turf conquests.

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Left: “Lord Glanely, 1921.” Accessed via Wikimedia Commons. Right: The Hon. George Lambton, from the painting by Lynwood Palmer.” Frontispiece to Men and Horses I Have Known, J. A. Allen & Co., 1963, National Sporting Library & Museum.

Both men sought to purchase a beautiful chestnut filly of sound pedigree and attractive conformation named Teresina. Bidding had started at the hefty sum of 1,000 guineas and had risen quickly into staggering totals. 5,000 guineas. 6,000 guineas. 7,000 guineas! Lord Glaneley topped Lambton with a bid of 7,600 guineas, to be outbid immediately by Lambton at 7,700. It was at this price that the auctioneer, the esteemed Somerville Tattersall, would ultimately award the filly to Lambton.

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“Teresina,” by Lionel Edwards. From The Aga Khan’s Horses, by R. C. Lyle, 1938. National Sporting Library & Museum, the gift of Edmund S. Twining, 1993.

Lambton wasn’t bidding for himself. Earlier in 1921, he had received a request to meet in London with Sultan Muhammed Shah, the Aga Khan. The Aga Khan (1877-1957) had been urged by his friend, Baron Wavertree, to enter the Thoroughbred horse breeding world back in 1904. The Aga Khan was of the opinion that if a horse breeding enterprise was to be founded, it should be done properly. He had waited, opting to focus on his political and religious responsibilities instead. But by 1921, he was ready to build his stable. He met with Lambton in London, attempting to woo him away from the Earl of Derby as a trainer. Unable to persuade Lambton to train his horses, the Aga Khan had engaged him as his agent to purchase the horses to begin his new racing stable.

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“Painting Teresina — The Foal Who Would Be In” by Lionel Edwards. From The Aga Khan’s Horses, by R. C. Lyle, 1938. National Sporting Library & Museum, the gift of Edmund S. Twining, 1993.

The Aga Khan’s instructions were simple enough: focus on mares and fillies, only purchase colts when they showed significant promise. When the Yearling Sales arrived, Lambton was determined to find the very best bloodstock for the Aga Khan. A brown filly named Cos was purchased by Lambton for 5,000 guineas, and by the time Lambton left the sales he had purchased eight horses for a total of 24,520 guineas. The tally would make up about 14 percent of the total for the entire sale.

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Signature page from The Aga Khan’s Horses, by R. C. Lyle, 1938. National Sporting Library & Museum, the gift of Edmund S. Twining, 1993. R. C. Lyle, Lionel Edwards, and the Aga Khan all signed the 140 copies in this book’s first edition.

It was a promising beginning for the Aga Khan’s stable. Teresina established herself as a horse with exemplary stamina, and after three years of racing and a victory at the Jockey Club Stakes, was retired from racing. In 1922, Lambton purchased Mumtaz Mahal, a dashing gray filly with blinding speed. She would go on to be one of the most successful two-year-olds in the history of flat racing. By 1924, the Aga Khan was the leading owner, with 11 winners and over 44,000 pounds won that year. The Aga Khan would go on to become one of the most decorated racehorse owners and breeders of the early 20th Century. He’s still the only owner to have won the Derby five times and would be named a British Champion Owner thirteen times.


Wedding Photography by Spiering Photography

John Connolly has served as the George L. Ohrstrom, Jr. Head Librarian at the National Sporting Library & Museum (NSLM) since early 2014. He is responsible for the care of the Library collections, including books, magazines, photographs, diaries, letters, and much more. The NSLM collections span over 350 years of the history of equestrian sport, as well as fly fishing, wing shooting, and other field sports. Have a question? Contact John by e-mail

Those of you who have been on a tour of the Library’s F. Ambrose Clark Rare Book Room will be familiar with our collection of fore-edge books. We always include one of these on tours as the lovely paintings hidden on their edges, and visible only when the pages are fanned, never fail to impress. These paintings were added after the book was published and typically the artist is unknown. Very often we display a copy of the Bible, published in 1839, that shows a hawking scene when its pages are fanned.

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Bible (1839) with fore edge painting, the gift of John H. and Martha Daniels.

Recently I made a connection between this fore-edge painting and another item in the Library’s collection which reveals the artist’s inspiration if not their identity. Compare the image above with this one by Henry Alken…

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The National Sports of Britain, Hawking, Henry Alken (1821). National Sporting Library & Museum, the gift of John H. and Martha Daniels.

While the fore-edge painting has been simplified, it is clearly the same image. Henry Alken’s version was published in The National Sports of Great Britain in 1821. The Bible with the corresponding fore-edge painting wasn’t published until 1839, and the fore-edge painting would have been added after that date. The artist must have been a fan of Alken’s work. They wouldn’t have been alone.

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Book plate in The National Sports of Great Britain, Henry Alken (1823). National Sporting Library & Museum, the gift of John H. and Martha Daniels.

Henry Alken (1785 – 1851) was a prolific painter and illustrator. The Library holds upwards of 60 volumes of his work. His subjects included all varieties of sporting topics as well as coaching scenes. He created numerous sets of etchings, often hand colored, depicting sporting scenes.

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Sporting Sketches, Henry Alken (1817). National Sporting Library & Museum, the gift of John H. and Martha Daniels.

He also specialized in comical vignettes or satirical illustrations such as this image from Hunting or Six Hours Sport (1823), titled Breaking Covert.

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Hunting or Six Hours Sport, Henry Alken (1823). The gift of John H. and Martha Daniels.

One of the things I love the most about Alken’s work isn’t actually any part of his images but rather the publisher that he frequently partnered with to produce his books. Thomas McLean, a publisher based in London, used the added sobriquet, Repository of Wit and Humour. Now this is a person I would love to meet at a party! I really must come up with a similar tagline myself. Perhaps, Keeper of Curiosities and Wonders?

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Hunting or Six Hours Sport, Henry Alken (1823). National Sporting Library & Museum, the gift of John H. and Martha Daniels.

In addition to extensive holdings of Alken’s published works, the Library has two items containing his original work. The first gives an interesting insight into Alken’s process.  It’s titled Cartoons and is a collection of preliminary stick figure sketches that would eventually be fleshed out into the finished images in his published works.

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Cartoons, Henry Alken. National Sporting Library & Museum, the gift of John H. and Martha Daniels.

Here’s a close up of two images, both of which were destined to be part of Alken’s comical works.

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“Keep Up Your Muzzle,” from Cartoons, Henry Alken. National Sporting Library & Museum, the gift of John H. and Martha Daniels.
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“Endeavouring to Stop.” Cartoons, Henry Alken. National Sporting Library & Museum, the gift of John H. and Martha Daniels.

The other volume of original works is a collection of drawings, paintings, and watercolors. It’s called Horses: Original Drawings. Here are two examples. The first is a watercolor.

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Horses: Original Drawings, Henry Alken. National Sporting Library & Museum, the gift of John H. and Martha Daniels.

The second is a drawing.

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Horses: Original Drawings, Henry Alken. National Sporting Library & Museum, the gift of John H. and Martha Daniels.

If you would like to explore the Library’s holdings of Alken’s work, I would be happy to oblige. Nearly all of it is housed in the F. Ambrose Clark Rare Book Room so please contact us to make an appointment before you visit.


SONY DSCErica Libhart has served as the Mars Technical Services Librarian at the National Sporting Library & Museum (NSLM) since early 2016. The focus of her position is collection services, working to increase accessibility to NSLM’s collection of books, periodicals, and archival materials. The NSLM collections span over 350 years of the history of equestrian sport, as well as fly fishing, wing shooting, and other field sports. Have a question? Contact Erica by e-mail