This weekend I’ll be going to the Virginia Foxhound Show.  It will be my first time at a hound show and although I’ll be going with someone knowledgeable, I’ve been doing a little homework and thought I’d pass along what I’ve learned thus far.

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The Virginia Foxhound Club Hound Show at Mrs. Marion DuPont Scott’s “Montpelier,” Orange , Virginia, 1959, by Jean Bowman. National Sporting Library and Museum, Archive Collection (MC0040).

The developmental history of foxhound breeds can and has filled volumes.  The English foxhound was developed through the cross breeding of several varieties of hounds used to hunt hare and stag.  The goal was to create a pack hound with nose and stamina enough to hunt the red fox across long distances, with mounted hunters following behind.  As the story goes, the American foxhound’s development began with a pack of hounds imported to the colonies by Robert Brooke in 1650. Over the next 200 years additional imports of English, French, and Irish hounds were crossbred with the American hounds ultimately resulting in the modern American foxhound.

Although both the English and American foxhounds were developed to hunt fox, breeders select for traits most beneficial in their local terrain.  This divergent selection has resulted in hounds with distinctly different physical characteristics.  The best summation of this difference that I found is that, American foxhounds are the Thoroughbred of foxhounds, while the English are Percherons.

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Example of an American Foxhound.  Taken from The American Foxhound Club 1975 calendar. National Sporting Library and Museum archive collection (MC0020)

American foxhounds should have a slightly domed skull, long, large ears, large eyes, straight muzzle, well laid-back shoulders, a moderately long back, fox-like feet, and a slightly curved tail.

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Example of an English foxhound.  Taken from The American Foxhound Club 1973 calendar. National Sporting Library and Museum archive collection (MC0020)

By comparison, the English foxhound is a bit shorter and more heavily built.  They have a wider skull and long muzzle.  Their ears are noticeably shorter and higher set than the American hounds, and their legs are muscular and straight-boned, with rounded, almost cat-like paws.

While hound shows can be interesting to the layperson, and are certainly social events for the groups involved, their main purpose is to further refine the development of the breeds.  It is an opportunity for breeders to see what others have accomplished, and to display their own successes.  Bloodlines with favorable traits are identified and plans are made to add them to breeding programs.

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Program for the first Virginia Foxhound Show, 1934.  National Sporting Library and Museum archive collection (MC0071)

The first Virginia Foxhound Show was associated with the American Foxhound Club and was held in 1934 at the Montpelier estate of Mrs. Marion DuPont Scott.  The meet was suspended during WWII and did not resume until 1955 at which time it was run by the newly formed Virginia Foxhound Club.   The show continued at Montpelier until 1961 when it was moved to the Upperville Horse Show grounds.  In 1965 it was relocated for several years to William W. Brainard, Jr.’s  estate, Glenara, near Marshall.  Finally it settled at Oatlands in 1970 and remained there until 1996 when it moved to its current location at Morven Park.

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This emblem decorates the silver cups presented as trophies in The Virginia Hound Show.  National Sporting Library and Museum archive collection (MC0040)

Although the show originally focused only on American Foxhounds, in the late 1960s it began to open up and now features American, English, Cross-bred, and Penn-Marydel Foxhounds.  Today the Virginia Foxhound Show is the largest sanctioned hound show in the world.

Here’s what I’ve been told to expect at the show.  All handlers wear long white coats.  Those showing English hounds, sport bowler hats, while all others use riding helmets.  English hounds are shown off leash, showcasing natural movement.

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Taken from The American Foxhound Club 1974 calendar. National Sporting Library and Museum archive collection (MC0020)

There are contests for the best of both sexes of, individual hounds, couples of hounds, and parent/offspring, within each class, American, English, Cross-bred, and Penn-Marydel.  The hounds are judged for conformation to an ideal breed standard.

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Taken from The American Foxhound Club 1969 calendar. National Sporting Library and Museum archive collection (MC0020)
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Taken from The American Foxhound Club 1972 calendar. National Sporting Library and Museum archive collection (MC0020)

There are also pack classes of five couple of hounds.  These are judged as a unit on uniformity, conformation, and way of moving; on the obedience of hounds to huntsman; and on the responsiveness of hounds to huntsman.

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Taken from The American Foxhound Club 1974 calendar. National Sporting Library and Museum archive collection (MC0020)

The Junior Handler Class is open to children associated with exhibiting packs.  There are two divisions, aged under 10, and aged 11-16.  Participants are judged on handling and presentation of the foxhound.  This promises to be quite cute as the children sport the same white coats and hats as adult handlers.  I’m looking forward to seeing all the hounds in person!

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Taken from The American Foxhound Club 1975 calendar. National Sporting Library and Museum archive collection (MC0020)

If you would like to learn more about foxhounds, hunts, or sporting dogs in general, the Library has many resources available.  There are extensive archival materials on various hunts, their hound pedigrees, journals of kennel activities, hound shows, and hunt diaries.  The Main Reading Room houses books on a wide range of breeds and strains.  You can also learn about training sporting dogs, kennel construction, or the medical care of these canine athletes.  Readers can catch up on current events in the hound community through Hounds magazine, also available in the Main Reading Room.  Come visit me in the Library and I’d be happy to connect you with any of these resources.


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Erica Libhart has served as the Mars Librarian at the National Sporting Library & Museum (NSLM) since early 2016. The focus of her position is collection services, working to increase accessibility to NSLM’s collection of books, periodicals, and archival materials. The NSLM collections span over 350 years of the history of equestrian sport, as well as fly fishing, wing shooting, and other field sports. Have a question? Contact Erica by e-mail

As the story goes, contemporary sporting artist Andre Pater (pronounced “potter”) made a fateful wrong turn towards Paris, Kentucky, on the way to a meeting and experienced the beauty of the scenic thoroughbred farms in the pastoral region for the first time.  In 1988, he and his wife, Kasia, moved from Dallas, Texas, and have made the Kentucky Bluegrass their home ever since.

Before moving to the U.S., Pater received a formal academic art education, earning a Masters degree in Interior Architecture from the Kraków Academy of Fine Arts in his native Poland. There, he honed his skills in drawing and in easel-painting nudes. The artist, however, was fascinated by Arabian horses from an early age and taught himself to draw and paint animals. Direct observations from nature and study of previous Polish and sporting art masters fueled his creativity and exploration of different techniques.

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The Meet (Hilary J. Boone, Jr. and Hilary J. Boone, III), 1991, oil on canvas, 25 x 30 inches, Private Collection © Andre Pater

In Kentucky, the Paters first lived at Wimbledon Farm, the property of Hilary Boone, II, President of the Iroquois Hunt Club. It is here that Pater first began to artistically explore foxhunting along with the other sporting and animal subjects for which he has gained prominence. He persuaded Boone to sit for a sporting portrait along with his son, Hilary Boone, III, surrounded by the Iroquois pack in 1991. (Ironically, Boone, III, a polo player, first took up hunting seriously after the painting was completed.)

Pater’s growing success led to a rising tide of commissions and the need for a larger studio. He found one on the property of Penny Chenery, owner of the 1973 Triple Crown Winner Secretariat. The expansive space gave the artist the freedom to paint on a grander scale, and among these larger canvases were paintings of hounds.

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Hounds in a Kennel, 1995, oil on canvas, 28 x 32 inches, Private Collection © Andre Pater

Fully immersed in Kentucky country life, the Paters became social members of the Iroquois, and the artist gained unrestricted access to the kennels. Foxhunting and hounds subjects became an inspiration throughout his career.

One cannot help but be captivated by the individual personalities, anatomical accuracy, and physical movement that Pater is able to convey in his portrayals of hounds, figures, and other animals.  His mastery in capturing the characteristics of light and shadow with a painterly effect draws the viewer into the compositions. Pater paints his subjects from the inside out.

Heading Home, 1994, oil on canvas, 30 x 40 inches, Private Collection © Andre Pater

… and to think it all began with a wrong turn. The Paters’ involvement with the Iroquois has continued to the present. Kasia serves on the hunt club’s Board, and Pater has supported the Hound Welfare Fund – a program for Iroquois hounds retired due to age, illness, or injury – by donating limited edition prints and chalk drawings auctioned at the annual fundraiser in June.

Awake, 2011, charcoal on paper, 33 x 37 inches, Private Collection © Andre Pater

On Saturday, May 27, in celebration of Virginia Foxhound Show weekend, Andre Pater will return to the National Sporting Library & Museum to discuss several of his foxhunting and hound paintings and drawings in the exhibition, Andre Pater: In a Sporting Light, on view through August 13. The talk will be followed by a reception and lecture on the Hound Welfare Fund by Lilla Mason, MFH of Iroquois Hunt Club. For more information on the programs and to RSVP, please visit Nationalsporting.org.


pfeifferClaudia Pfeiffer has been the George L. Ohrstrom, Jr. Curator of Art at the National Sporting Library & Museum since the position was underwritten by the George L. Ohrstrom, Jr. Foundation in 2012. Her primary focus is the research, design, interpretation, writing, and installation of exhibitions. E-mail Claudia at cpfeiffer@nationalsporting.org

Jessica Callihan grew up fishing on her family’s dairy farm in Southern Michigan, an upbringing familiar to us here in Middleburg- pastoral landscapes, wildlife, and ‘one stoplight’ towns. But Jessica had her sights set high, and she worked hard towards becoming an Aviation Electrician with the United States Navy. That’s when fate intervened.

During a training exercise while on active duty, Jessica fell approximately 10 feet and sustained permanent nerve damage to her extremities. In between surgeries and being confined to a hospital, Jessica’s was given a set of pastels. Jessica began recreating fishing and pastoral works in earnest. Her first pastel pieces got her, well, “hooked.”

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Jessica Callihan,  A Time For Reflections, pastel on panel 11 x 14 inches. Private Collection.

While exploring art as a way to relieve the pain and frustration of her arduous recovery, a group called Project Healing Waters found her and taught her how to tie flies, cast a rod, and fish with her disabilities.

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“The program gave me so much more than the sport of fly fishing; it gave me a community that became extended family and ultimately gave me beauty back in life.” -Jessica Callihan

Determined to grow despite setbacks that would challenge even the most disciplined individuals, Jessica slowly transitioned from a participant to an Ambassador for Project Healing Waters, and at the same time she earned a Bachelor of Fine Arts degree from Maryville College in Tennessee.

 

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Jessica Callihan, Sweet Dreams, oil on canvas, 9.75 x 18 inches


Recently, Jessica became a Founding Member of Able Women: a nonprofit dedicated to empowering women through the strength, courage, passion, and determination found through fly fishing and being outdoors. Her own story of how fly fishing saved her life inspires Jessica to teach others, especially disabled Veterans, women, and children, how to do the sport she loves. When she is not traveling, giving speeches, or teaching the art of fly fishing, she is in her art studio recreating memories of being on the water and the awe-inspiring places her life has led her.

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Photo by Two Fisted Heart Productions

Jessica will be in Middleburg speaking at the National Sporting Library & Museum event, Hooked: Changing Tides, Enduring Bonds on March 18th, 2017. Join us to hear more about her incredible journey.

The 62nd annual meet of the Virginia Fall Races was held at Glenwood Park, Middleburg, this past Saturday, October 8th. Last year’s race day was perfect, sunny weather, but this year featured lots of rain! That didn’t keep us from enjoying a great day of racing though.

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Rainy weather makes for muddy horses and jockeys at the Virginia Fall Races! (Photo by Perry Mathewes)

The Virginia Fall Races features the Theodora A. Randolph Field Hunter Championship in the morning, and nine races over the rolling turf course in the afternoon. Funds raised from the event benefit Inova Loudoun Hospital. The National Sporting Library & Museum Cup, held since 1955, is run in memory of Fall Races co-founder, Mr. George L. Ohrstrom, Sr., and long-time race supporter, Mr. George L. Ohrstrom, Jr.

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The trophies for the day were displayed on a table out of the rain under the announcer’s stand. The NSLM Cup trophy and this year’s keeper trophy bowl, are just left of center.

Saturday’s precipitation made the course footing soft, but it held up fairly well. And, luckily for us, the rain tapered off just in time for our race. This year’s NSLM Cup was won by the Irish-bred Two’s Company, owned by Bruton Street – US, trained by Jack Fisher, and piloted by jockey Sean McDermott. The 7 year-old bay gelding beat six other horses over the long 3 1/4 mile timber course. It was anyone’s race until the tightly packed group was well into their third and final lap of the course. McDermott took the lead with just two fences to go, and won by almost 7 lengths. In second place was the 2015 NSA Timber Horse Champion, Grinding Speed; third was Puller; and fourth was Canyon Road.

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Two’s Company and Sean McDermott ahead of Pured It and Gerard Galligan (Photo by Douglas Lees)

 

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Two’s Company and Sean McDermott in the blue and yellow silks of Bruton Street – US (Photo by Douglas Lees)

Two’s Company is having a successful season so far. With the NSLM Cup as his fourth win of the year, the horse is now ranked first in purse winnings for 2016. Bruton Street – US, Fisher, and McDermott are all ranked among the very top owners, trainers, and jockeys in timber racing. And McDermott has appeared in our NSLM Cup photos before – in 2015 he won aboard Straight To It, another horse trained by Jack Fisher.

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NSLM Cup Winner’s Circle: (left to right) Jacqueline Ohrstrom, Melanie Mathewes (NSLM Executive Director), Juliana May (NSLM Cup Trophy Donor), Michael and Ann Hankin, Sheila Fisher, and jockey Sean McDermott.

A big thank you to those of you that came out to support the races despite the rainy weather!

Six of the horses from the NSLM Cup lineup (including Two’s Company) have been nominated to compete against each other again in the International Gold Cup on October 22, at Great Meadow in The Plains. Fingers crossed for nicer weather that day!

For those of you who have been to one of my gallery talks, you’ve probably figured out that I love to share ideas about sporting art, sporting culture, and related trivia. It’s a passion to bring this material to broader audiences. Put me behind a podium, however, introducing someone with an impressive list of credentials, and I’m like a deer in headlights! All of a sudden I’m responsible for summarizing someone’s accomplishments. This is the worst kind of pressure, and I am not good at rote memorization.

Arthur Fitzwilliam Tait (American, 1819 - 1905) American Deer, 1857 oil on canvas, 7 ⅛ x 5 ⅝ inches Gift of Dr. and Mrs. Timothy Greenan, 2011
Arthur Fitzwilliam Tait (American, 1819 – 1905) American Deer, 1857, oil on canvas, 7 ⅛ x 5 ⅝ inches National Sporting Library & Museum, Gift of Dr. and Mrs. Timothy Greenan, 2011

I like to think I’m more like A.F. Tait’s American Deer when presenting gallery talks, poised and dignified (with a dose of caffeine). You might have seen this painting in the second floor Museum galleries, but it is currently off view. Although Tait painted several full-size canvases of deer, some reminiscent of Sir Edwin Landseer’s Monarch of the Glen in the Museums of Scotland collection, the small three-quarter portrait in the NSLM collection is unusual for him. It depicts an eight-point buck with a velvet rack and summer coat framed by foliage. Fun fact – Did you know that antlers used for sparring in the fall are rich with nerves and sensitive to pain when in velvet? Bucks are extremely aware of their racks and avoid contact with objects such as tree limbs during this time.

Edwin Landseer (1802-1873) Monarch of the Glen; National Museums Scotland; http://www.artuk.org/artworks/monarch-of-the-glen-184975
Edwin Landseer (English, 1802-1873), Monarch of the Glen, 1851
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image source: http://www.artuk.org/artworks/monarch-of-the-glen-184975

Landseer’s magnificent portrait of a red deer in the Highlands shows the buck proudly displaying his twelve-point rack and thick winter coat. Paintings like these were embraced by an ever-increasing urban population as windows into nature.

I know I would not get tired of looking at Landseer’s painting. Working in a converted 1804 Federal-style house means that the Curatorial offices in the Museum are below ground level. Mine is the only one with a window. I enjoy the filtered sunlight and occasionally get a glimpse of the lawn service crew mowing the grass.

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I think I speak for George L. Ohrstrom, Jr. Librarian John Connolly, Curator of Permanent Collections Nicole Stribling, and myself in saying, we enjoy sharing the topics we love with  like-minded people instead of just a computer screen. Gallery Talks are about sharing ideas and intended to be informal chats that last about a half hour. If you’ve been wondering if you would like to commit your Wednesday afternoon to a Gallery Talk, know that we are down in the trenches and looking forward to coming up for some good conversation. See you next Wednesday at 2 pm!


pfeifferClaudia Pfeiffer has been the George L. Ohrstrom, Jr. Curator of Art at the National Sporting Library & Museum since the position was underwritten by the George L. Ohrstrom, Jr. Foundation in 2012. Her primary focus is the research, design, interpretation, writing, and installation of exhibitions. E-mail Claudia at cpfeiffer@nationalsporting.org

This weekend the Piedmont Driving Club invited me to a picnic drive at Ayrshire Farm in Upperville, Virginia. Fortunately, I had some previous experience riding in a carriage. When my colleagues and I went to Colonial Williamsburg for the Virginia Association of Museums Conference earlier this year we were treated to a private drive through town. Historically, only certain members of society would use vehicles like these refurbished carriages. This is no longer the case, and people of all walks of life participate in driving events across the nation.

I was surprised at how different a drive was in the country versus in town. During the colonial era carriages were often used in town  or for short journeys. The American colonies and early nation had notoriously bad roads. Travel was much smoother by water (ever notice that most colonial capitals were on navigable waterways?). There were few exceptions to this, one of which was our own Loudoun County. Loudouners built – and preserved – over 300 miles of country roads, most of which date to the 18th and 19th centuries. These provide an ideal setting for today’s picnic drives.

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Driving on a private road near Upperville, VA

A few different kinds of carriages were represented during the drive. Carl and Caroline Cox, my generous hosts, drove a wagonette. Wagonettes sport four wheels and seat four, not counting the driver, and can be pulled by two or four horses. Carts have two wheels, one or two occupants, and are usually pulled by one horse. Coaches, which can seat 12, 16, or more, are very heavy and are pulled by larger teams of horses. Coaches were the public transportation of their era and are not taken on picnic drives in the countryside.

Each of the carriages on this drive were a work of art in their own right. And with the exception of cleverly disguised champagne coolers, these vehicles are using the same technology as their 18th century counterparts, including braking systems, building materials, and driving techniques.

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I had a wonderful time learning about these carriages and the people who drive them. If you want to know more about wagonettes, carts, coaches, and more, don’t miss Carriage Day at NSLM. We are partnering with the Piedmont Driving Club and Colonial Williamsburg to bring these carriages to you! Over twenty carriages will be displayed (without horses) across our grounds on May 21 from 10 a.m. until 5 p.m. The day will include walking tours, kids activities, an afternoon drive-by, and a keynote talk with Paul Bennett, Colonial Williamsburg’s Director of Coach and Livestock. Yes, it’s all free of charge – Don’t Miss It!

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Anne Marie Barnes is the Educational Programs Manager and Fellowship Advisor at the National Sporting Library & Museum (NSLM). Her passion for museum work began shortly after graduation with a Bachelor’s degree in History from James Madison University. Between her expeience working at the Fredericksburg Area Museum & Cultural Center and the Washington Heritage Museums, she has done everything from designing summer camps to formulating major fundraisers. Have a question? Contact Anne Marie by e-mail

A few months ago, NSLM was approached with an offer we could not refuse: go to Charleston for Garden & Gun‘s Made in the South Jubilee. If you have not yet attended Jubilee, it is an incredible experience to see, hear, taste, and bring home the best of Southern and sporting life. From the Oyster Roast Thursday night to the concert Sunday afternoon, our mission was tell the thousands of visitors about our Museum and Library in Middleburg, Virginia.

Jubilee

 

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the rear view of the Legare Waring House

We were set up in the library of the historic Legare Waring House, just one part of a whole campus of Jubilee event areas at Charles Towne Landing State Historic Site. The event saw close to 3,000 people!

 

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We were right at home in the library

Over the course of the weekend we met hundreds of people, and saw several friends of NSLM all the way down in Charleston. In addition to handing information to attendees, we met the governor of South Carolina, some folks from museums across the South, and several businesses we look forward to seeing again soon.

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Top: (left) Sea Island Forge,  (right) Foggy Ridge Cider. Bottom:  (left) Rappahannock River Oysters LLC,  (right) Cannonborough Sodas

This opportunity would not have been possible without the help of some key friends. All of our contacts at Garden & Gun were quick to help and very supportive to us newcomers. Our event sponsor, Highcliffe Clothiers, generously lent us some of their pieces to make sure we looked our hunt country best.

At the end of the weekend, we gave out over a thousand pieces of literature to folks at Jubilee, and inspired many to donate to our organization. We are very fortunate to have been included in an event whose attendees care about our mission to preserve and promote equestrian, angling, and turf and field sports. So long Charleston, we hope to see you next year!