As a Visitor Services Associate at the National Sporting Library & Museum, I often talk to guests about two artworks: an oil, Over the Brush Fence, 1930 and a watercolor, Portrait of a ‘Chaser, 1935. Both were painted by Paul Brown (American, 1893-1958).  Visitors enjoy reminiscing about Paul Brown drawings, prints, and illustrations that they have seen over the years.

Paul Brown (American, 1893-1958) Over the Brush Fence, 1930, oil on canvas, 
26 x 32 7/8 x 1 7/8 inches, National Sporting Library & Museum, Gift of Nancy Searles, the artist's daughter, 2011
Paul Brown (American, 1893-1958) Over the Brush Fence, 1930, oil on canvas,
26 x 32 7/8 x 1 7/8 inches, National Sporting Library & Museum, Gift of Nancy Searles, the artist’s daughter, 2011

Throughout the first half of the 20th century, Brown was a well-known equestrian artist and illustrator. He captured the excitement of polo matches, horse shows, and steeplechase events in whimsical, yet accurate detail. He also illustrated over 100 children’s books. NSLM is lucky to be the repository of the largest Paul Brown archive of first edition books and artwork in the world.  An especially intimate part of this collection came to us in 2011 from his daughter, Nancy Brown Searles.  Part of the Searles Collection is an archival box filled with drawings in pencil, pen and ink, and watercolor. Many are charming sketches drawn on nothing more than a torn piece of newsprint or remnant of an art board. 

[untitled], 1935, illustration, pen and ink, Paul Brown Archive, Box 11,
Searles Collection, 2011

The oldest drawing is of a lion, signed “Paul Brown, age 6.”

[untitled], 1899, pencil on paper, Paul Brown Archive, Box 11, 
Searles Collection, 2011
[untitled], 1899, pencil on paper, Paul Brown Archive, Box 11, Searles Collection, 2011

There are also endearing sketches and drawings that include handwritten notes to family and friends.

 [untitled], early 20th century, watercolor, Paul Brown Archive, Box 11, 
Searles Collection, 2011
[untitled], early 20th century, watercolor, Paul Brown Archive, Box 11,
Searles Collection, 2011

In addition to my position at the museum, I am working, part-time, on a Master of Museum and Gallery Studies at University of St Andrews in Scotland.  As part of my collection-based project, I am cataloguing the Searles Collection. I write condition reports and confirm dates so that relationships between drawings in the museum and books in the library can fill out a narrative of the artist’s career.  Paul Brown’s joie de vivre and consummate draftsmanship shines through in all his work from early sketches to mature drawings.

A few works from this treasure box, as well as some of his books from the NSLM’s F. Ambrose Clark Rare Book Room, will be on display in the Library’s Mars Gallery beginning in late September.  Artwork from the archive will be seen, publicly, for the first time ever!  This small exhibit may make you think twice before you throw away a box of childhood drawings.  You never know where the pen, pencil, or paint brush may take you. Check our website soon for exhibition details.

Grace Pierce is a part-time Visitor Services Associate at the National Sporting Library & Museum.  She is also pursuing a Master of Museum and Gallery Studies at University of St Andrews in Scotland. When not greeting visitors at the museum or cataloguing in art storage, Grace can be found on the links in St Andrews. 

On March 24, 1933, the 92nd Grand National was run at Aintree. This year’s race was noteworthy for more than the typical large crowds: every publication commented on the fine running and beautiful weather.

A field of more than 30 horses made the iconic race of four-plus miles, and there were the usual falls and mishaps along the way. The victor of the day was the 25-1 horse Kellsboro Jack, owned by Mrs. F. Ambrose Clark. But she had “purchased” the horse from her husband earlier in the year.

From Kellsboro Jack Scrapbook, National Sporting Library & Museum ARchives Collection, MC0031.

F. Ambrose “Brose” Clark was an influential American sportsman of the early 20th century. Brose was the grandson of Edward Cabot Clark, a partner of the Singer Manufacturing Company. As a young man, he was a gentleman rider in steeplechase races and rode to hounds. AS a racehorse owner, he spent years in pursuit of victory in the world’s most famous steeplechase: the Grand National.

From Kellsboro Jack Scrapbook, National Sporting Library & Museum ARchives Collection, MC0031.

Clark purchased Kellsboro Jack in Ireland, naming him for the horse’s native town of Kellsborough. Kellsboro Jack was trained for the Grand National by Ivor Anthony, and reportedly the horse was treated exceptionally well — one local newspaper reported that the horse preferred to sleep bedded down in soft sheets. Preferential treatment was sometimes indulged for Clark’s horses; he once ordered a rocking chair loaded into a train’s boxcar so he could ride along with a favorite mount.

From Kellsboro Jack Scrapbook, National Sporting Library & Museum ARchives Collection, MC0031.

Clark suspected that 1933 was an unlucky year for his horses. Instead of taking chances on another unsuccessful attempt at Aintree, he opted to sell Kellsboro Jack to his wife Florence for £1. Mrs. Clark was an accomplished sportswoman herself, and maintained her own stable of racehorses. Kellsboro Jack would go on to win in record time: 9 minutes, 28 seconds.

From Kellsboro Jack Scrapbook, National Sporting Library & Museum ARchives Collection, MC0031.

Although the triumph of the day technically belonged to Florence, the ecstatic couple shared the victory together. Mrs. Clark declined the honor of leading in Kellsboro Jack, asking Brose to do it in her stead. Kellsboro Jack would be retired following his record-setting victory, but the horse was brought to hunt meets and to paddock at other races so friends and well-wishers could see him.


Wedding Photography by Spiering Photography

John Connolly has served as the George L. Ohrstrom, Jr. Head Librarian at the National Sporting Library & Museum (NSLM) since early 2014. He is responsible for the care of the Library collections, including books, magazines, photographs, diaries, letters, and much more. The NSLM collections span over 350 years of the history of equestrian sport, as well as fly fishing, wing shooting, and other field sports. Have a question? Contact John by e-mail 

Last month, the Library received a tremendous donation: a lifetime collection of equestrian photographs. The Patricia W. MacVeagh Photo Collection spans from 1939 to 2014. MacVeagh photographed horse shows and races from St. Louis to Virginia.

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Patricia Williams MacVeagh photographed in 1941. MacVeagh was a lifelong equestrian and photographer; her photograph collection has been donated to NSLM. Photograph by  J. Wayman Williams, used with permission.

Born June 16, 1929, as Patricia Kathryn Williams, MacVeagh graduated high school in 1947, attended Cornell University in Ithaca, NY, where she graduated with a degree in Spanish in 1951. She became a stewardess for Pan American Airlines on South American flights. After two years working on the airline, she returned to St. Louis and married Charles “Pete” MacVeagh in 1956.

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Beth Rasin on Street Smart, Middleburg Horse Trials – O.P. September 26, 1999. Photo by Patricia W. MacVeagh.

The MacVeaghs had two children, Charles “Chip” MacVeagh, and Martha Williams MacVeagh. Their family moved to the Washington, D.C. area in July 1976, where they boarded horses at Southdown Farm in Great Falls. Patricia died from pancreatic cancer on April 28, 2014. She was a charter member of Vienna Photographic Society (Vienna, VA) and served in various volunteer roles and was active in the photo competitions of the Society. Patricia took regular riding lessons throughout life; her last riding lesson was in January 2014, four months before her death.

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Jimmy Scarborough on Chanalis, outside course, Bridlespur Horse Show, St. Louis, MO May 13, 1945. Photo by Patricia W. MacVeagh.

The collection is remarkable in several ways. First, because of its size: over 17,000 images will be added to NSLM’s collection. Second, because the donors are also giving NSLM the rights to the photographs, making it possible for NSLM to use, reproduce, and print the photos without seeking additional permissions. Third, Patricia’s daughter Martha has comprehensively documented the collection: horse names, rider names, and locations have all been compiled into a massive spreadsheet that can be converted into an archival finding aid. She also had the entire collection digitized, making it possible for NSLM to host the photographs online in the future.

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Finally, the family is making a monetary contribution of $5,000 to help maintain the collection. It’s highly unusual that we receive funds along with materials; there’s always a cost to bring a collection of books or archival materials into the collection and we’re extremely grateful to Patricia’s family for this donation.

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Steve Green and Ben Swope (7th race, 1st div.) on Forever Gleaming (#3) and Incaseyouraminer (#2) at the Old Dominion Point to Point at Ben Venue, April 7, 2012. Photo by Patricia W. MacVeagh.

We’ve been blown away by this generous donation, and look forward to getting it online in the future for our researchers to view and use!


Wedding Photography by Spiering Photography

John Connolly has served as the George L. Ohrstrom, Jr. Head Librarian at the National Sporting Library & Museum (NSLM) since early 2014. He is responsible for the care of the Library collections, including books, magazines, photographs, diaries, letters, and much more. The NSLM collections span over 350 years of the history of equestrian sport, as well as fly fishing, wing shooting, and other field sports. Have a question? Contact John by e-mail 

Some weeks ago, our friend Viviane brought us a packet to read. “Save it for a rainy day to look it over,” she told me. With the surfeit of precipitation this month, I found ample opportunity to take her up on the suggestion.

Inside the packet were three comb-bound publications of memories, each taken from a hunter’s hunting diary. Equestrian sports are chock full of passion and excitement, and often those elements are overlooked by those who don’t directly participate in these sports. Hunting diaries are a great way to experience the close-up history of foxhunting, as many who ride to hounds keep meticulous track of their exploits.

Called Entries From an Orange County Hunt Journal, the pages in the packet were full of personal accounts from the local sporting scene. Memories are poignant and humorous, and reflect the experiences on horseback, and were compiled by the late R. Moses Thompson, who moved to the Middleburg area in 1991. Thompson wrote one entry about falls while hunting, including a tale about his own unusual fall:

At a gallop, going east across the open pastures from the corner of the Zulla and Rock Hill Mill, my horse, to avoid a ground hog hole that he had seen but I had not, leapt to the right, suddenly, dropping his head and shooting off in a near right-angle trajectory. True to my studies in physics, my body kept going in the direction it was headed, with forward momentum of a horse in full gallop, just without the horse. Jerking to the right, my horse had dropped his head low so that my right leg slipped over his neck and I flew forward, leaving my horse cleanly, hitting the ground on my feet, spontaneously breaking into a very fast run, legs churning, to prevent burying my face in the dirt.

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Excerpt from an Orange County hunt diary, 1947. National Sporting Library & Museum.

The recounting of hunting tales from hunt diaries is not new. NSLM has many hunt diaries in its collection, the earliest dating back to the early 19th Century, but quite a few from the 20th Century as well. Old hunting directories often included a calendar-based diary section for all-in-one note taking.

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The childhood diary of Jane McIlvaine McClary, detailing her adventures riding with the hunts in the Middleburg area.

Keeping a diary of riding activities is a great way to keep track of adventures (and misadventures) and range from formal accounts of a rider’s activities to the heartwarming or humorous personal entries.

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An anonymous British hunting diary, 1816. National Sporting Library & Museum.

For researchers, these diaries are a treasure trove of local history: names, dates, and landmarks are chronicled in a single document. The practice has continued for hundreds of years, and for those who study history, we hope it will continue in the future. Do you keep sporting or riding diaries? To view some of the NSLM’s hunt diaries collection, you can contact me to arrange an appointment.


Wedding Photography by Spiering Photography

John Connolly has served as the George L. Ohrstrom, Jr. Head Librarian at the National Sporting Library & Museum (NSLM) since early 2014. He is responsible for the care of the Library collections, including books, magazines, photographs, diaries, letters, and much more. The NSLM collections span over 350 years of the history of equestrian sport, as well as fly fishing, wing shooting, and other field sports. Have a question? Contact John by e-mail 

This week is the 98th running of the Middleburg Spring Races. The first race was run in 1911, organized by Daniel C. Sands, MFH of the Middleburg Hunt, and despite a hiatus during World War I, still endures today. The races are run at Glenwood Park here in Middleburg, which Sands donated in 1963 to preserve the open spaces required for equestrian events.

We recently found an image in one of our archive collections of the Middleburg Spring Races in 1938. Glenwood Park looks almost exactly the same today as it did back then, even down to the areas where tailgates and general admission spectators are located. Click here to get a close up view of the 1938 races!

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Middleburg Spring Races, 1938. Photograph by Walter B. Lane. National Sporting Library & Museum, Gerald B. Webb, Jr. Archive.


Wedding Photography by Spiering Photography

John Connolly has served as the George L. Ohrstrom, Jr. Head Librarian at the National Sporting Library & Museum (NSLM) since early 2014. He is responsible for the care of the Library collections, including books, magazines, photographs, diaries, letters, and much more. The NSLM collections span over 350 years of the history of equestrian sport, as well as fly fishing, wing shooting, and other field sports. Have a question? Contact John by e-mail

One hundred years ago, the rural Virginia community in western Loudoun and northern Fauquier counties was undergoing a transformation. The interwar period was a period of renaissance for foxhunting and equestrian sport, both in the United Kingdom and the United States. From Leesburg to Warrenton and anchored in Middleburg, a new community was evolving: Virginia’s Hunt Country.

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“Leesburg, 1922.” National Sporting Library & Museum, Archives Collection, MC0033, “Middleburg-Leesburg Photograph Album.”

The NSLM mission lists three functions: to preserve, promote, and share the contents of our collections and the subjects contained in them. None of these functions is truly independent of one another, but a great deal of emphasis is placed on preservation when it comes to the Library’s collections. A fantastic example of why we emphasize the importance of preservation is a photograph album in the Library’s archival collections.

mburghuntcup1923
“Middleburg Hunt Cup, 1923 — Dr. Burke won.” National Sporting Library & Museum, Archives Collection, MC0033, “Middleburg-Leesburg Photograph Album.”

Almost every photo in the album is unidentified. Most of them are fading away. Aside from balancing contrast to enhance visibility, the images in this blog post are unaltered snapshots of the album’s contents.

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Unidentified Photo. National Sporting Library & Museum, Archives Collection, MC0033, “Middleburg-Leesburg Photograph Album.”

Photos are decidedly horsey, and show an enthusiastic sporting community, and snapshots of everyday life. We have no idea who took or collected the photos, but most images are in or around Middleburg in the 1920s.

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“Springfield, 1911.” National Sporting Library & Museum, Archives Collection, MC0033, “Middleburg-Leesburg Photograph Album.”

Identification for albums like this can be tricky. Most all of the images are pasted directly to the album paper, and it’s impossible to remove the prints without destroying them.

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Unidentified Photo. National Sporting Library & Museum, Archives Collection, MC0033, “Middleburg-Leesburg Photograph Album.”

On close inspection, it appears the rider is wearing jodhpurs, a short-sleeved shirt, and a necktie. Competition attendees drove out in their Model T Fords, lined up in the background.

The pressure to preserve is immense with a collection like the NSLM’s. As objects deteriorate, unique glimpses at history could be lost.

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Unidentified Photo. National Sporting Library & Museum, Archives Collection, MC0033, “Middleburg-Leesburg Photograph Album.”

An image with advanced fading: an unidentified rider wearing a dapper straw hat.

The photographs in this album are only a fraction of the total photographic images in the NSLM collection. The best hope to preserve these images would be scanning or high-resolution photography before the originals deteriorate. This album is one of hundreds of objects in the NSLM collection awaiting digital preservation. We’re already making plans for securing the resources and equipment to preserve these kinds of objects so they can be enjoyed online.

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Unidentified Photo. National Sporting Library & Museum, Archives Collection, MC0033, “Middleburg-Leesburg Photograph Album.”

A pony race? Mostly boys, but there appear to be two young girls lined up as well. Photo discoloration has crept into the edges of the photo.

Overall, this mysterious album contains dozens of unidentified photographs. Of the few with identification, the oldest photo dates to 1911, with most images likely from the 1920s. This was a period of growth for Middleburg and its surrounding community, as the town developed into a hub of sporting activity. Both the Middleburg Hunt and Orange County Hunt worked to develop their foxhunting territories, building up relationships with landowners and replacing barbed wire fencing with stone walls and chicken coop jumps.

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Unidentified Photo. National Sporting Library & Museum, Archives Collection, MC0033, “Middleburg-Leesburg Photograph Album.”

Eager sportsmen from urban centers in the northeast began migrating to Middleburg to enjoy sports that were being crowded out by expanded development. Seasonal visitors took the Southern Railway train line from the nation’s capital to The Plains before trekking on horses or on wagons to Middleburg.

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Unidentified Photo. National Sporting Library & Museum, Archives Collection, MC0033, “Middleburg-Leesburg Photograph Album.”

Another image with advanced fading, this one of an unidentified woman wearing the unmistakable fashion of the 1920s.

The sporting tradition of Hunt Country lives on, and thousands of visitors still come to Middleburg in the hopes of experiencing the excitement of the world of equestrian sport. As these new audiences encounter these sports, the preservation element of NSLM’s mission makes it possible to promote and share these pieces of history.


Wedding Photography by Spiering Photography

John Connolly has served as the George L. Ohrstrom, Jr. Head Librarian at the National Sporting Library & Museum (NSLM) since early 2014. He is responsible for the care of the Library collections, including books, magazines, photographs, diaries, letters, and much more. The NSLM collections span over 350 years of the history of equestrian sport, as well as fly fishing, wing shooting, and other field sports. Have a question? Contact John by e-mail

“‘The Winnah’ Alligator – Horse of Iron” was the inscription that sporting artist and illustrator Paul Brown chose to describe Alligator, the bay gelding that he noted won not one, not two, not three, but an unbelievable FOUR steeplechases after various jockeys fell and remounted.  The 1928 West Hills Plate, 1929 Maryland Cup, 1930 International Cup at Grasslands, and the Millbrook Hunt Steeplechase are annotated in the lower margin of one of Brown’s illustrations for his book, Ups and Downs (1936). The artist sketched some of Alligator’s gravity-defying crashes and wins for the book as well as his earlier publication, Spills and Thrills (1933), and his captions present entertaining and informative details.

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Paul Desmond Brown (American, 1893-1958) The “Winnah,” 1936, pencil on paper, inscribed:  The “Winnah” Alligator – Horse of Iron – | Fell   Millbrook  – and won | ”        Maryland – ”       ” |” Grasslands – ”       ” | ” or Lost Rider at West Hills and won  | Paul Brown ’36. Donated by Boots Wright in memory of Mr. and Mrs. Richard E. Riegel, 2013.

The first race was for the West Hills Plate, the seventh annual meet held on Long Island on November 10, 1928. Brown’s drawing shows jockey Frederic C. Thomas going over the horse’s head at the first fence, swinging underneath its neck, and desperately trying to hold on before losing his grip. “An exhibition of indomitable courage was witnessed here this afternoon,” noted the next day’s article in The Brooklyn Daily Eagle.

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Paul Desmond Brown (American, 1893-1958) Alligator hit 1st, 1933, pencil and ink on paper, inscribed: Alligator hit 1st – Freddie Thomas started nose dive – caught mounts neck – swung under it – horse stopped – Freddie remounted – and won – West Hills Plate, West Hills 1928. Donated by Boots Wright in memory of Mr. and Mrs. Richard E. Riegel, 2013.

Alligator won the thirty-first running of the Meadow Brook Cup with Lyman Wright up in 1929 without a fall. Brown’s exquisite illustration of the race held on sportsman F. Ambrose Clark’s estate captures a pivotal moment described in an article in the September 29, 1929 The Baltimore Sun: “…Hackenthorpe stayed with his rivals three-quarters of the way, but when the famous stone wall appeared again Hackenthorpe did not have enough left to get over and the race was left to Alligator and Reel Foot.”

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Paul Desmond Brown (American, 1893-1958) The Hole in the Wall, 1933, pencil and ink on paper,  inscribed: The Hole in the Wall – Alligator, Reel Foot, Hackenthorpe – Lyman Wright, Bill Streett, Charlie Cushman up – how they drove for the gap in the 12th – Alligator won the race – Reel Foot was 2nd – Hackenthorpe fell Meadow Brook Cup 1929 Donated by Boots Wright in memory of Mr. and Mrs. Richard E. Riegel,  2013.

Brown did not illustrate Alligator’s famed April 1929 Maryland Hunt Cup win in his books, but the wife of the horse’s trainer Harry Plumb found it worthy of a poetic tribute. Plumb was also the father of one of Alligator’s jockeys, Charles T. Plumb:*

From out the ruck / Of many a name, / “Alligator” / He raced to fame.

The Maryland Hunt! / The ‘CUP’ the prize: / “They’re off” the cry, / And then, surprise….

At number-two fence, / That timbered rail, / Alligator fell: / “Too bad” they wail.

But ‘blood’ will not tell / In man or beast. / And fame is made /At racing feast….

For quick as a flash / From starting gun, / Alligator’s up…./ And starts to run.

The ‘field’ out there / In front so far: / A hopeless chase / For this great star.

But fence by fence, / By hand and ride, / Alligator / In glorious stride

Picks up the loss / And leads them all / He wins the race: / “Hurrah” they call.

She continued with a description of a repeat performance by Alligator:

Then, once more, this / “Thorobred Crack” / Surprised the fans / At Grasslands track:

Fencing so clean / With jump and stride. / His praises sung / On every side.

But here, again, / This grand horse fell, / Next fence at last, / Pell-mell! Pell-mell!

Then up again / ‘Tis writ as history, / He galloped on / To cheers and victory.

– “Salute to a Great Horseman” by Elaine T. Plumb, The Chronicle, Dec. 31, 1948

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Paul Desmond Brown (American, 1893-1958) Dramatic, 1933, pencil and ink on paper, inscribed: Dramatic – I’ll say so – next last fence – Alligator fell – Waverly Star dog tired and went down in the mud too tired to get up – Charlie Plum wiped mud and blood from face – remounted – went on – won. Grasslands 1930. Donated by Boots Wright in memory of Mr. and Mrs. Richard E. Riegel, 2013.

Approximately 8,000 spectators witnessed the running of the grueling first International Cup held at the Grasslands Downs Course, TN, in 1930. Every single one of the seventeen entries either fell or pulled up. Brown’s sketch shows Alligator falling on his front knees going over the 25th jump and Waverly Star slipping.  “Charlie Plum [sic] wiped mud and blood from face – remounted – went on – won,” wrote Brown in the caption describing the nail-biting ending of the race.

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Franklin Brooke Voss, (American, 1880-1953) Alligator, 1929, oil on canvas, 28 x 36 inches, Gift of the children of Peter Winants, Sr., 2009

Viewing American sporting artist Franklin Brooke Voss’s serene 1929 portrait of Alligator in light of Paul Brown’s illustrations with the horse’s striking career in mind –  is transformative. This is Alligator, “Horse of Iron,” and one of the most hardcore steeplechase horses that ever lived.

* Errata: The poem was previously incorrectly attributed to the wife of jockey and Meadowbrook Huntsman Charles T. Plumb.


pfeifferClaudia Pfeiffer has been the George L. Ohrstrom, Jr. Curator of Art at the National Sporting Library & Museum since the position was underwritten by the George L. Ohrstrom, Jr. Foundation in 2012. Her primary focus is the research, design, interpretation, writing, and installation of exhibitions. E-mail Claudia at cpfeiffer@nationalsporting.org