Gallery Talks 101

For those of you who have been to one of my gallery talks, you’ve probably figured out that I love to share ideas about sporting art, sporting culture, and related trivia. It’s a passion to bring this material to broader audiences. Put me behind a podium, however, introducing someone with an impressive list of credentials, and I’m like a deer in headlights! All of a sudden I’m responsible for summarizing someone’s accomplishments. This is the worst kind of pressure, and I am not good at rote memorization.

Arthur Fitzwilliam Tait (American, 1819 - 1905) American Deer, 1857 oil on canvas, 7 ⅛ x 5 ⅝ inches Gift of Dr. and Mrs. Timothy Greenan, 2011
Arthur Fitzwilliam Tait (American, 1819 – 1905) American Deer, 1857, oil on canvas, 7 ⅛ x 5 ⅝ inches National Sporting Library & Museum, Gift of Dr. and Mrs. Timothy Greenan, 2011

I like to think I’m more like A.F. Tait’s American Deer when presenting gallery talks, poised and dignified (with a dose of caffeine). You might have seen this painting in the second floor Museum galleries, but it is currently off view. Although Tait painted several full-size canvases of deer, some reminiscent of Sir Edwin Landseer’s Monarch of the Glen in the Museums of Scotland collection, the small three-quarter portrait in the NSLM collection is unusual for him. It depicts an eight-point buck with a velvet rack and summer coat framed by foliage. Fun fact – Did you know that antlers used for sparring in the fall are rich with nerves and sensitive to pain when in velvet? Bucks are extremely aware of their racks and avoid contact with objects such as tree limbs during this time.

Edwin Landseer (1802-1873) Monarch of the Glen; National Museums Scotland; http://www.artuk.org/artworks/monarch-of-the-glen-184975
Edwin Landseer (English, 1802-1873), Monarch of the Glen, 1851
National Museums Scotland
image source: http://www.artuk.org/artworks/monarch-of-the-glen-184975

Landseer’s magnificent portrait of a red deer in the Highlands shows the buck proudly displaying his twelve-point rack and thick winter coat. Paintings like these were embraced by an ever-increasing urban population as windows into nature.

I know I would not get tired of looking at Landseer’s painting. Working in a converted 1804 Federal-style house means that the Curatorial offices in the Museum are below ground level. Mine is the only one with a window. I enjoy the filtered sunlight and occasionally get a glimpse of the lawn service crew mowing the grass.

Curator of Art's window

I think I speak for George L. Ohrstrom, Jr. Librarian John Connolly, Curator of Permanent Collections Nicole Stribling, and myself in saying, we enjoy sharing the topics we love with  like-minded people instead of just a computer screen. Gallery Talks are about sharing ideas and intended to be informal chats that last about a half hour. If you’ve been wondering if you would like to commit your Wednesday afternoon to a Gallery Talk, know that we are down in the trenches and looking forward to coming up for some good conversation. See you next Wednesday at 2 pm!


pfeifferClaudia Pfeiffer has been the George L. Ohrstrom, Jr. Curator of Art at the National Sporting Library & Museum since the position was underwritten by the George L. Ohrstrom, Jr. Foundation in 2012. Her primary focus is the research, design, interpretation, writing, and installation of exhibitions. E-mail Claudia at cpfeiffer@nationalsporting.org

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s