People often ask how exhibitions are developed. Sometimes it starts with a book, in this case – Peter Corbin: An Artist’s Creel. Peter Corbin presented the hardbound volume by Tom Davis and foreword by John Merwin to the National Sporting Library & Museum a few years ago. This sounds a lot more formal than it was. Peter was on his way back to Millbrook, NY, from the 2013 Plantation Wildlife Arts Festival in Thomasville, GA, where he’d been the featured artist. He popped into the Museum, introduced himself, and dropped off the hardbound volume published by Hudson Hill Press in 2005. The exchange was brief, but the cover of the book captured my imagination. It sat on my desk for weeks reminding me of how much I love Wyoming.
I was already familiar with Peter’s work and only now feel marginally better admitting that we had strongly considered one of his paintings from the American Museum of Fly Fishing collection for the 2012 NSLM Angling in the Western World exhibition. We had a lot of tough choices to make in the twentieth-century section for the broad survey of the topic spanning over 300 years and ended up not including his painting.
We try to touch on a variety of NSLM’s core mission topics as often as possible which, other than equestrian pursuits, includes field sports such as freshwater fly fishing and wingshooting. As I thumbed through An Artist’s Creel, I was reminded that a member of the NSLM had suggested that the recognized sporting and wildlife artist, who is also an avid wingshooter and angler himself, would be a good candidate to consider for a fly fishing exhibit.
The emerald green water and the energy of the leaping tarpon in Power and Grace caught my eye. Although Peter has also painted many freshwater scenes, this was the opposite of a depiction of a serene, contemplative moment. There’s been debate in fly fishing circles about whether fresh and saltwater fly fishing can even be considered the same sport. The NSLM’s collections focus on freshwater. With the addition of the George “Chappie” and Mary Chapman book collection in 2012, the Library became one of the most comprehensive research centers on twentieth-century freshwater fly fishing in the United States.
The diversity of the angling compositions in Peter’s book intrigued me. All captured the essence of some of the finest fly fishing waters in North America.
Near the Net, 1980, an acrylic painting of salmon fishing on the Restigouche River, Silas Beach, Quebec, Canada, won Peter the American Salmon Federation’s Artist of the Year in 1981. I learned that he came from a family of fly fisherman; his father taught him to cast his first fly by the age of seven. His great-grandfather started a hunting and fishing club in the Catskills, and Peter spent much time over the years trout fishing in the region, like the fly fisherman in the painting, The Sound of the Falls, 2002.
Peter’s lifetime love for sport and art are reflected in each of his paintings. All of the works on view through July 3rd in Line Dance: The Art of Fly Fishing by Peter Corbin were selected to show the variety of compositions for which he has become known during his almost forty year career.
To gain a bit more insight into Peter’s quiet passion, motivations, and philosophy on art, we invite you to join him for a Gallery Talk on March 19th at 10:00 am and to take a moment to watch the 10-minute narrated slideshow below which he created to accompany the exhibition. A catalog is also available if you’d like to learn more about Peter Corbin’s sporting art career and fly fishing adventures. We look forward to seeing you in the galleries.
…and to think it all started with a book.